Organization

International Festival of Vocal Music "Opera Apriori"

Śpiewak

Kontratenor

Paula Murrihy

Ariodante

Sopran

Albina Latipova

Ginevra

Ekaterina Morozova

Dalinda

Tenor

Bernard Richter

Lurcanio

José Coca Loza

Il Re di Scozia

Vasily Gafner

Odoardo

Dyrygent

Gianluca Capuano

Reżyseria

David Alden

Scenografia

Ian MacNeil

Kostiumy

Choreografia

Michael Keegan-Dolan

Reżyseria światła

Ian Jackson-French

Przygotowanie chóru

Valery Borisov

Kontralt

Yuriy Mynenko

Polinesso

włoski

Ariodante Händel

Public

rosyjski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Baryton

Mezzosopran

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Handel's "Ariodant" saw the light of day on the stage of the newly opened London Royal Theater, Covent Garden, in 1735. The libretto, based on the famous poem "Furious Roland" by Ludoviko Ariosto, turned out to be devoid of the spectacular transformations and exoticism that were usual for operas of that time. The scene of action was Scotland, and the events and the reaction of the heroes to them - preparations for the wedding of the happy lovers of Princess Ginevra and Prince Ariodant, interrupted by slander, their separation and suffering, and yet the reunion in the finale - were so psychologically reliable that they went beyond the accepted theater of that time etiquette. Queen Carolina wrote after attending the premiere: “They say that the opera is so pathetic and gloomy that everyone who visits it is imbued with this impression and returns home upset.”

History, which seemed too dark to the public of the 18th century, nowadays sounds modern and exciting. It is no coincidence that now "Ariodant" is one of the most demanded baroque operas. The geography of his productions over the past decade alone numbers more than 30 European and American cities, including Vienna, Salzburg, London, Stuttgart, Dublin, Barcelona, ​​Madrid, Paris, Toronto, Chicago and many others.

In Russia, "Ariodanta" was heard only in concert performance. Its production on the New Stage (following Rodelinda and Altsina) will be a continuation of the Bolshoi Theater's series of Handel premieres. The appearance of "Ariodant" is expected with particular interest also because it will be directed by the American director David Alden, already familiar to the Moscow public. It was he who carried out one of the most successful projects of the Bolshoi Theater - the production of Britten's opera "Billy Budd" (co-produced with the English National Opera and the German Opera of Berlin), a performance that won the Golden Mask Prize in the nominations for Best Opera Performance and Best the work of the artist "(2018). Conductor Gianluca Capuano, renowned in Europe for his interpretations of operas from Monteverdi to Rossini and Donizetti, will perform at the Bolshoi Theater for the first time

English

Ariodante by Händel, pt 10 gru 2021, od (2021/2021), W reżyserii David Alden,, Dyrygent Gianluca Capuano

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca