Name: Baroque rivalries
Start: 2015-01-20T00:00:00.000Z
End: 2015-01-20T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Sänger

Sopran

Simone Kermes

Mezzosopran

Vivica Genaux

Dirigat

Andrés Gabetta

MusikTheater an der Wien

Orchestra

Capella Gabetta

Baroque rivalries

Wien

Österreich

Theater an der Wien

Konzert

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chor

Chordirektion

Choreographie

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Bass

Tenor

Countertenor

Bariton

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Arguing "prima donnas" can only be found today in the soap operas of private television companies that vie for the prize of the jungle queen. Older opera-goers, on the other hand, can still remember how the two prima donnas Maria Callas and Renata Tebaldi addressed so many nuances in the media in their heyday.
Probably the most famous rival prima donnas in music history are undoubtedly the feuding Handel stars Faustina Bordoni and Francesca Cuzzoni. You on June 6, 1727 at a performance of Bononcini's opera AstianatteA controversy carried out on the open stage, which - spurred on by the London audience - degenerated into savage insults and physical abuse, has gone down in the annals of opera history. In memory of these two great prima donnas of the first half of the 18th century, Simone Kermes and Vivicagenau, in all friendship with Baroque Rivalries, put together a wild baroque evening full of rarities and discoveries from the repertoire of the Bordoni and the Cuzzoni, in which, in addition to compositions by Georg Friedrich Händel and Johann Adolf Hasse, many arias and duets by composers who are almost forgotten today, such as Antonio Lotti, Giovanni Porta or Giuseppe Arena, can be brought to life again for the first time.

English

Baroque rivalries by Various, Ab (2015/2015), Dirigat Andrés Gabetta, Theater an der Wien, Wien, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Programm, Info & Synopsis

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte