Name: Beethoven 250 - Symphony Cycle
Start: 2020-02-09T00:00:00.000Z
End: 2020-05-16T00:00:00.000Z
Location: Palau de la Música Catalana

Organization

Conductor

John Eliot Gardiner

Singer

Soprano

Lucy Crowe

Contralto

Jess Dandy

Tenor

Ed Lyon

Bass

Tareq Nazmi

Matthew Rose

Orchestra

Orchestre Révolutionnaire et Romantique

Others

Monteverdi Choir

Beethoven 250 - Symphony Cycle

London

United Kingdom

Barbican Centre

Moscow

Russia

"Tushino" Museum Exibition Centre

Chicago

United States

Harris Theater for Music and Dance, Chicago

New York City

Carnegie Hall

Barcelona

Spain

Palau de la Música Catalana

Beethoven 250 - Symphony Cycle: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

In the two centuries following its premiere in Vienna, Beethoven’s 5th Symphony has been purloined and exploited by political regimes, songwriters and advertisers alike, and its first four notes have become the most famous phrase in the western classical tradition. In this film, John Eliot Gardiner and the ORR explore possible hidden messages in the score which suggest that Beethoven was articulating the beliefs and values of the French Revolution.

Directed and edited by Richard Wilson. Produced by Bill Lloyd & Richard Wilson. Director of Photography, Benjamin Ealovega.

Our live recording of Beethoven's Symphony No. 5 from Carnegie Hall in 2011 is available to purchase here: 
https://shop.monteverdi.co.uk/product... 

About the series:
In May, the Orchestre Révolutionnaire et Romantique and John Eliot Gardiner should have been performing Beethoven’s complete symphonies at the Barbican Hall in London. This cycle was part of an international tour celebrating both Beethoven’s 250th anniversary and the 30th birthday of the ORR. We were lucky enough to be able to complete three cycles – in Barcelona, New York and Chicago – before the pandemic put a stop to all concerts. To give you a flavour of this monumental project, we will be releasing a nine-part series of films where John Eliot Gardiner will give his thoughts on Beethoven’s musical mind, and the orchestra will be seen rehearsing the symphonies.

Beethoven’s process of composition meant wrestling not just with beauty and emotion but also with political and humanitarian themes. During these uncertain times, perhaps more than any other composer, he gives us a feeling of triumph over adversity. The symphonies express Beethoven’s own bravery in the face of personal problems and these documentaries capture John Eliot Gardiner and the ORR tackling the music with a mixture of scholarship, energy, imagination and a complete devotion to Beethoven’s miraculous vision.

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The three Monteverdi ensembles – the Monteverdi Choir, English Baroque Soloists and Orchestre Révolutionnaire et Romantique – are a leading force on the international music scene. World-class musicians and singers from many nationalities come together to share in the distinctive vision of our Artistic Director, Sir John Eliot Gardiner, in ground-breaking projects that span eight centuries of musical masterpieces.

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Sir John Eliot Gardiner’s approach to Beethoven takes us to the raison d’être of the Orchestre Révolutionnaire et Romantique (ORR), transporting us to the time when Ludwig van Beethoven thrust his extraordinarily original music in front of his audience. The orchestra’s recordings of the symphonies have been described (by Gramophone Magazine) as a “tour de force… played at white heat”, “glorious” and “magnificent”.

The 2020 performances gave audiences the chance to experience the full cycle of symphonies alongside lesser known works by Beethoven: the concert aria ‘Ah! perfido’, excerpts from his only full-length ballet, The Creatures of Prometheus, and excerpts from Leonore, the original version of his opera Fidelio. These works express Beethoven’s belief that love, faith and personal courage can overcome political or personal adversity – a message which now seems as urgent as ever.

This celebration of the great composer took the ORR on a momentous worldwide tour, performing all nine symphonies to audiences across Europe and the United States. The Monteverdi Choir will join the ORR and John Eliot Gardiner for performances of the 9th symphony, alongside a stellar troupe of soloists: Lucy Crowe (soprano), Jess Dandy (contralto), Ed Lyon (tenor) and Tareq Nazmi* (bass).

English

Beethoven 250 - Symphony Cycle by Various, No (2020/2020), Diriģents John Eliot Gardiner, Palau de la Música Catalana, Barcelona, Spain

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