Organization

Sänger

Bariton

Matthias Hermann

Ernst Ludwig

Josef Vesely

Kit Kat Girls

Martin Trippensee

crook

Johannes Haslinger

Skye MacDonald

Korrepetition

Wolfgang Götz

Musikalische Einstudierung

Dirigat

Gabriel Venzago

Regie

Andreas Gergen

Kostümbild

Stephanie Bäuerle

Tongestaltung

Nenad Milosavljevic

Choreographie

Kate Watson

Dramaturgie

Friederike Bernau

Bühnenbild

Georg Clementi

Conférencier

Marco Dott

Maximilian Paier

Sopran

Britta Bayer

Fräulein Schneider

Julia-Elena Heinrich

Fräulein Kost

Bass-Bariton

Axel Meinhardt

Herr Schulz

Christoph Wieschke

Tenor

Gregor Schulz

Cliff Bradshaw

Patrizia Unger

Sally Bowles

Zollbeamter

Matrose

Ganove

Aaron Röll

Melanie Haberlander

Tina Eberhardt

Manuel Lauerer

Dominik Tiefgraber

Kit Kat Boys

Taxifahrer

Stefanie Regner

Lichtgestaltung

Lukas Breitfuss

Salzburger Landestheater

Orchestra

Mozarteumorchester Salzburg

Deutsch

Englisch

Cabaret

Salzburg

Österreich

Theaterzelt

Cabaret Kander

Public

Genehmigt

"Welcome, bienvenue, welcome to Cabaret, au Cabaret, to Cabaret!" We are in the middle of Berlin, at the end of the 20s, becoming part of the amusement-addicted metropolis that dances on the volcano on the eve of the Third Reich. American writer Clifford Bradshaw travels to Berlin drawn by the crackling atmosphere of the big city. On the train he met the likable Ernst Ludwig, who found him cheap accommodation in Fräulein Schneider's guesthouse and introduced him to the frivolous society of the Kit-Kat-Club. Here the singer Sally Bowles dreams of a great career, and Sally and Cliff hope that love at first sight can endure. But the times are not in favor of the private and professional plans: When stones fly in the shop windows of Jewish shops, the late love between Miss Schneider and the greengrocer Mr. Schulz is also in danger. Cliff clearly sees the political danger and wants to leave Germany with Sally, whereas Sally continues to dream of her great career in Berlin. When she aborted their child, the American was left with nothing. But those who stay behind face an uncertain future.

The alternation of large public scenes and small private situations gives the piece its breath; Kander's music, inspired by ragtime and early jazz, as well as the revue-like numbers in the Kit-Kat-Club inserted by Masteroff, which frame the plot, are reminiscent of the musicals of the 1920s.

The music was written by John Kander, the lyrics are by Fred Ebb, the book was written by Joe Masteroff based on the play "I Am a Camera" (1951) by John Van Druten, which is based on the autobiographical novels "Mr. Norris rises to ”(1935) and“ Lebwohl, Berlin ”(1939) based by Christopher Isherwood. The musical premiered on November 20, 1966 at the Broadhurst Theater in New York City. Harold Prince produced and directed the production; in the role of Master of Ceremonies was Joel Gray, seen as Miss Tailor Lotte Lenya.

In the 1972 film adaptation, Liza Minnelli shone as Sally Bowles, and in 1973 the film won eight (!) Oscars.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble