Organization

Direttore d'orchestra

Direttore d'orchestra (+1)

Gabriel Venzago

Costumi

Scenografia (+1)

Stefanie Seitz

Scenografia

Regia

Regia (+3)

Andrea Bernard

Drammaturgo

Thomas Rufin

Soprano

Laura Verena Incko

Micaëla

Soprano (+1)

Hazel McBain

Frasquita

Tenore (+3)

Franz Supper

Remendado

Luci

Daniela Klein

Maestro ripassatore

Maestro ripassatore (+2)

Eunjung Lee

Maestro ripassatore (+1)

Manuel Lauerer

Direttore d'orchestra (+2)

Wolfgang Götz

Coreografia

Regia (+2)

Carlo Massari

Direzione del coro

Carl Philipp Fromherz

Salzburger Landestheater

Chorus

Chor des Salzburger Landestheaters

Orchestra

Mozarteumorchester Salzburg

Salzburger Festspiele und Theater Kinderchor

Theaterzelt

Tenore (+4)

Luke Sinclair

Don José

Mezzosoprano (+4)

Deniz Uzun

Carmen

Baritono (+5)

George Humphreys

Escamillo

Basso-baritono (+4)

Raimundas Juzuitis

Zuniga

Mezzosoprano (+2)

Olivia Cosio

Mercédès

Baritono (+3)

Samuel Pantcheff

Dancairo

Basso (+3)

Philipp Schöllhorn

Moralès

Bethany Yeaman

Tenore (+2)

Alexander Hüttner

Eric Fennell

Mezzosoprano (+3)

Corinna Scheurle

Carmen lives and loves in freedom away from all social conventions. When she is arrested because of an escalating argument with a colleague, she finds an unexpected admirer in the soldier Don José. This helps her to escape and - driven by love - gets into a spiral of crime. But when Carmen loses her interest in Don José and the rival Escamillo appears, fate takes a fateful turn.

Georges Bizet set himself the goal of revolutionizing the genre of the Opéra-Comique with his "Carmen" - and he succeeded. The premiere almost turned into a scandal, the uncompromising realism and the choice of social outsiders * as main characters surprised the audience and angered the critics: "A highly immoral work," wrote the newspapers. “Carmen” is both a milieu study and a psychogram at the same time. Hardly any opera mixes the themes of love, passion, freedom and death in such a consistent way, and the famous melodies such as “Habanera” and the couplet of the torero make “Carmen” one of the greatest world successes in opera history.

Jacopo Spirei stages the opera in a circus tent to match the unusual locations and characters from "Carmen".

 

“Carmen” was premiered in a version with spoken dialogues in 1875, but it was not until a series of performances in Vienna a few months later that the opera was able to achieve its continued success to this day. Georges Bizet (1838–1875) could no longer witness this triumphant advance of his most important composition; he died at the age of 36 just three months after its premiere.

Director Jacopo Spirei has staged at the Teatro Comunale di Bologna, the Danish Royal Opera and the San Francisco Opera, among others. At the Salzburg State Theater he impressed with the productions "Brokeback Mountain" and "Rise and Fall of the City of Mahagonny". In 2019, the entire Mozart-Da Ponte cycle could be shown in its production. Gabriel Venzago, First Kapellmeister of the Salzburg State Theater stands at the podium of the Salzburg Mozarteum Orchestra.

francese

Salisburgo

Austria

Carmen Bizet

Scenica

Opera

Carmen lebt und liebt in Freiheit abseits aller gesellschaftlichen Konventionen. Als sie wegen eines eskalierten Streits mit einer Kollegin festgenommen wird...

Approvato

Carmen, Bizet

Cast

Micaëla

Frasquita

Le Remendado

Don José

Carmen

Escamillo

Zuniga

Mercédès

Le Dancaïre

Moralès

Team creativo

Regia

Direttore d'orchestra

Scenografia

Costumi

Direzione del coro

Luci

Coreografia

Drammaturgo

Maestro ripassatore

Strumentazione

Produttore

Produttore

Ensemble

Orchestra

Coro

Co-produttore

Video correlati

Foto

Informazioni

Compositore

Libretto

Descrizione

Sinossi della produzione