Name: Carmen
Start: 2022-03-13T00:00:00.000Z
End: 2022-06-26T00:00:00.000Z
Location: Großes Haus

Organization

Stage director

Rahel Thiel

Conductor

Rasmus Baumann

Costume designer

Renée Listerdal

Set designer

Dieter Richter

Dramaturge

Anna Chernomordik

Peter Kattermann

Nickolas Kudo

Lighting designer

Thomas Ratzinger

Singer

Mezzo-soprano

Lina Hoffmann

Carmen

Tenor

Khanyiso Gwenxane

Don José

Baritone

Petro Ostapenko

Escamillo

Soprano

Dongmin Lee

Frasquita

Anke Sieloff

Mercedes

Scarlett Pulwey

Yancheng Chen

Morales

Spoken

Georg Hansen

Lillas Pastia

Piotr Prochera

Bass

Philipp Kranjc

Zuniga

Demian Matushevskyi

Adam Temple-Smith

Dancaire

Oleh Lebedyev

Tobias Glagau

Remendado

Julia Faylenbogen

Carlos Cardoso

Heejin Kim

Michaela

Musiktheater im Revier

Orchestra

Neue Philharmonie Westfalen

Others

MiR Opera Ensemble

Gelsenkirchen

Germany

Großes Haus

Carmen Bizet

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

7,479 views, 139 likes, 15 loves, 10 comments, 21 shares, Facebook Watch Videos from Musiktheater im Revier: "L'amour est un oiseau rebelle" &#x1f426; "Die Liebe ist ein rebellischer Vogel"...

Carmen the femme fatale, Carmen the outsider, Carmen the witch. Carmen bathes in the looks of her contemporaries. But what makes them so fascinating has been told anew every time since the success of Georges Bizet's opera of the same name. There is a Carmen in the car factory, a Carmen in the South African township and of course a Carmen in a flamenco dress. Are you born a Carmen or do you become one? Not only the portrait of a self-determined woman is unheard of for the Parisian audience of the premiere, but also the realism displayed: Carmen is a worker, maybe a prostitute and also a “Bohème”, a free-spirited anti-bourgeois pariah. The way her last lover, Don José, wants to possess her is unheard of from today's perspective. The reserved outsider turns out to be the most stubborn of her admirers. Marriage to his foster sister beckons the reclusive lieutenant. Instead, Carmen awakens longings in him that he has never felt before. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss.

English

Carmen by Bizet, vas 20 márc 2022, -tól (2022/2022), Rendezte Rahel Thiel,, Karmester Rasmus Baumann, Peter Kattermann, Nickolas Kudo, Großes Haus, Gelsenkirchen, Germany

Előadás kreditek (Szereplők & Stáb )

Öntvény

Legénység

Együttes

Program, névjegy és szinopszis

Videók

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek