Organization

Regie

Rahel Thiel

Dirigat

Rasmus Baumann

Kostümbild

Renée Listerdal

Bühnenbild

Dieter Richter

Dramaturgie

Anna Chernomordik

Peter Kattermann

Nickolas Kudo

Lichtgestaltung

Thomas Ratzinger

Sänger

Mezzosopran

Lina Hoffmann

Carmen

Tenor

Khanyiso Gwenxane

Don José

Bariton

Petro Ostapenko

Escamillo

Sopran

Dongmin Lee

Frasquita

Anke Sieloff

Mercedes

Scarlett Pulwey

Yancheng Chen

Morales

Sprechrolle

Georg Hansen

Lillas Pastia

Piotr Prochera

Bass

Philipp Kranjc

Zuniga

Demian Matushevskyi

Adam Temple-Smith

Dancaïro

Oleh Lebedyev

Tobias Glagau

Remendado

Julia Faylenbogen

Carlos Cardoso

Heejin Kim

Michaëla

Musiktheater im Revier

Orchestra

Neue Philharmonie Westfalen

Others

MiR Opera Ensemble

Gelsenkirchen

Deutschland

Großes Haus

Carmen Bizet

Public

Genehmigt

7,479 views, 139 likes, 15 loves, 10 comments, 21 shares, Facebook Watch Videos from Musiktheater im Revier: "L'amour est un oiseau rebelle" &#x1f426; "Die Liebe ist ein rebellischer Vogel"...

Carmen the femme fatale, Carmen the outsider, Carmen the witch. Carmen bathes in the looks of her contemporaries. But what makes them so fascinating has been told anew every time since the success of Georges Bizet's opera of the same name. There is a Carmen in the car factory, a Carmen in the South African township and of course a Carmen in a flamenco dress. Are you born a Carmen or do you become one? Not only the portrait of a self-determined woman is unheard of for the Parisian audience of the premiere, but also the realism displayed: Carmen is a worker, maybe a prostitute and also a “Bohème”, a free-spirited anti-bourgeois pariah. The way her last lover, Don José, wants to possess her is unheard of from today's perspective. The reserved outsider turns out to be the most stubborn of her admirers. Marriage to his foster sister beckons the reclusive lieutenant. Instead, Carmen awakens longings in him that he has never felt before. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss. When she threatens to move on, Don José experiences a new feeling - the raging jealousy that drives the once love story to its tragic end. In Georges Bizet's "Carmen" there are real people on the stage. But Bizet's music also means that the morbidly jealous Don José and the obscure Carmen make themselves heard by the audience. In Rahel Thiel's production, Carmen drags her audience head over heels into the human abyss.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble