Name: Carmen
Start: 2018-04-19T00:00:00.000Z
End: 2018-04-19T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Organization

Dyrygent

Rastislav Stur

Reżyseria

Marián Chudovský

Scenografia

Jozef Ciller

Kostiumy

Peter Čanecký

Przygotowanie chóru

Ladislav Kaprinay

Choreografia

Jozef Dolinský

Śpiewak

Mezzosopran

Monika Fabianová

Carmen

Sopran

Eva Hornyáková

Micaëla

Tenor

Boldizsár László

Don José

Baryton

Sergej Tolstov

Escamillo

Andrea Vizvári

Frasquita

Michaela Šebestová

Mercedes

Ján Babjak

Remendado

Roman Krško

Dancairo

Filip Tůma

Morales

Ján Galla

Zuniga

Slovak National Theatre

francuski

Bratysława

Słowacja

Slovak National Theatre Historical Building

Carmen Bizet

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontratenor

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Where is the difference between a romantic and a realistic story? As if Georges Bizet was asking us this question through the opera Carmen. In addition to images of love, the work of French Romanticism presents us with a fairly ordinary life of completely ordinary people, in colors that often resemble the realistic images of brush masters, so a little tired of the ethereal language of Romanticism. So how is it? What does the story of the young officer Don José tell us, who lets himself be enchanted by the beautiful Gypsy Carmen, forgets his dear Micaël, deserts himself as an honor to his officer's honor and goes to the mountains with the smugglers alongside the dark beauty? Georges Bizet's romantic musical language is intertwined with a story that is disturbingly real. Is Don Jose's love for Carmen romantic? Certainly not - because it's not enriching love, but pure passion, which robs Don José of his soul and honor. And so a strange, provocative contrast of romantic-non-romantic story emerges, which is so extremely appealing that we keep coming back to it again and again. And it is certainly no coincidence that Bizet's Carmen evokes in us a bit of references to the best works of Italian opera realism - verism (from the word "vero" - "truth").

English

Carmen by Bizet, czw 19 kwi 2018, od (2018/2018), W reżyserii Marián Chudovský,, Dyrygent Rastislav Stur, Slovak National Theatre Historical Building, Bratysława, Słowacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca