Organization

Stage director

Kate Millett

Conductor

James Penn

Pianist

Pam Christie

Mezzo-soprano

Bianca Majchrzak​

Carmen

Tenor

Patrick MacDevitt

Don José

Soprano

Rada Tochalna

Michaela

Baritone

Finn Gilheany

Escamillo

Bass

Chris Clifford

Zuniga

April Foster

Frasquita

Adelaide Greenaway

Mercedes

Stephen Carolane

Remendado

David Lawson-Smith

Dancaire

Singer

Alicia Groves

Chorus singers

Maurice Wan

Choreographer

Alison McIntosh

BK Opera

Melbourne

Australia

Carmen Bizet

Public

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Blanke Knochen Opera makes its debut in October, presenting a fresh take on the classic opera, Carmen.

Inspired by black-box theatre, BK Opera aims to strip back opera to its emotional core, providing a minimalist take on the extravagance usually associated with the artform.

In their debut production of Carmen, the heart of the story is reinterpreted for a modern audience. With the current epidemic of domestic violence, slut shaming and victim blaming in our culture, this is not the traditional view of Carmen as a femme fatale. Don José is no longer the eager to please ingenue transfixed by the seductress. He leads himself down the path to temptation through a misplaced sense of entitlement.

Blanke Knochen Opera will be raising money throughout their performances for local domestic violence shelters through the sale of white roses that the audience is invited to throw on the body of Carmen in the final scene.

English

Carmen by Bizet, No (2016/2016), Režisēja Kate Millett,, Diriģents James Penn

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