Name: Charodeyka
Start: 2014-09-14T00:00:00.000Z
End: 2014-09-26T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Baritone

Vladislav Sulimsky

Prince Nikita

Nickola Efremov

Mezzo-soprano

Agnes Zwierko

Princess Yevpraxia

Tenor

Maxim Aksenov

Prince Yuri

Bass

Vladimir Ognovenko

Mamirov

Hanna Schwarz

Nenila

Bass-baritone

Martijn Cornet

Ivan Zhuran

Soprano

Asmik Grigorian

Nastasya

Martin Snell

Foka

Natalia Kawałek-Plewniak

Polya

Erik Årman

Balakin

Stefan Cerny

Potap

Vasily Efimov

Lukash

Nikolay Didenko

Kichiga

Andreas Conrad

Payísy

Martin Winkler

Kudma

Conductor

Mikahail Tatarnikov

Stage director

Christof Loy

Costume designer

Christian Schmidt

Set designer

MusikTheater an der Wien

Rúisis

Charodeyka -  (The Enchantress)

Vienna

Austria

Theater an der Wien

Grosser Pausenraum

The Enchantress

Gearmáinis

Approved

Accordionist

Instrumentalist

Archlutenist

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Baroque Oboist

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Bassist

Bassoonist

Cellist

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Cornettist

Flutist

Guitarist

Harper

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Hornist

Lutenist

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Musette de cour Player

Oboist

Organist

Percussionist

Pianist

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Saxophonist

Tenor Violinist

Timpani

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Vibraphonist

Viola Pomposa Player

Viola da gamba

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Violist

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Writing and performance

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Charodeyka Tchaikovsky,P

Vladislav Sulimsky in CHARODEYKA (The Enchantress) von P. I. Tschaikowski

In 1885 Peter I. Tchaikovsky was made aware of the new drama by the then successful author Schpaschinski by his brother Modest; there is a love scene in it, which is well suited for setting to music. Tchaikovsk was then more interested in the two main female characters than in the love scene. He asked the author to transform the piece into a libretto. Schpaschinski's text turned out to be too long, so that the struggle and a performable version dragged on for two years. On November 1, 1887, Charodeyka was premiered in the Imperial Mariinsky Theater in St. Petersburg.

Nastasja, called Kuma, runs an inn on the river. Politically and socially outlawed people find refuge in the tolerant atmosphere that it has created there. Kuma is wooed a lot, but does not favor anyone. When Prince Juri passes by once, she falls in love with him, but does not dare to approach him. The ruling Prince Kurtjatew, the prince's father, is a thorn in the side of the bar as a meeting place for critical spirits. He wants to have it closed, but Kuma's charm also fascinates him, and instead of closing the bar, he suddenly spends a lot of time there himself. The intriguer Mamyrow tells the princess about it and arouses her jealousy. When Juri hears of his father's behavior, he wants to kill the woman who has bewitched his father so that he neglects his wife and government. The prince declares his love for Kuma, but she rejects him. When Juri comes to her to kill her, she is able to convince him of her innocence, and he, too, falls in love with her. Shortly before the two of them want to flee together, the princess poisons Kuma and dies in Juri's arms. The princess throws the corpse into the river. In search of Kuma, the prince kills his son out of jealousy and goes mad.

English

The Enchantress by Tchaikovsky, P. I., Mái 16 Meán 2014, Ó (2014/2014), Faoi stiúir Christof Loy,, Seoltóir Mikahail Tatarnikov, Theater an der Wien, Vienna, Austria

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid