Name: Color
Start: 2022-10-09T00:00:00.000Z
End: 2022-10-09T00:00:00.000Z
Location: Opéra de Lille

Organization

Direzione d'orchestra

Simon-Pierre Bestion de Camboulas

Pianoforte

Cantante

Soprano

Amélie Raison

Opéra de Lille

Color

Lilla

Francia

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Libretto

Luci

Maestro accompagnatore

Orchestra

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Regia

Scenografia

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Basso-baritono

Mezzosoprano

Baritono

Contralto

Basso

Controtenore

Tenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Color: Concert Various

“ Color is the beauty of sound. Thus the author Jean de Garlande defines the processes of embellishment and repetition of the new polyphonies of the 13th century.

The theoretician is interested in the very experience of musical practices and the phenomenon of sound. It evokes the pleasure that the listener finds in repetition and ornamentation: repetition encouraged by the arrival of the rhythmic notation of the melodies; ornamentation enhanced by the performers' ability to improvise.

Color explores the experience of this fine game of balance between rhythmic tensions and insistent melodies, acting like a common thread between centuries of music, giving the sound material its real, obsessive character.

Founded in 2015 by Simon-Pierre Bestion, the vocal and instrumental company La Tempête has set itself the goal of renewing the approach to musical performance, and transforms the concert into an experience of sensory immersion. Games of lights and acoustics, mixing of colors, staging, spatialization...

So many new ways to allow early music to “unfold just as much in their meditative as in their dancing energies”.

English

« Color est la beauté du son. » Ainsi l’auteur Jean de Garlande définit-il les procédés d’embellissement et de répétition des nouvelles polyphonies du XIIIe siècle.

Le théoricien s’intéresse à l’expérience même des pratiques musicales et du phénomène sonore. Il évoque le plaisir que l’auditeur trouve dans la répétition et l’ornementation : répétition encouragée par l’arrivée de la notation rythmique des mélodies ; ornementation sublimée par la capacité d’improvisation des interprètes.

Color explore l’expérience de ce fin jeu d’équilibre entre tensions rythmiques et mélodies insistantes, agissant tel un fil conducteur entre des siècles de musique, donnant à la matière sonore son caractère réel, obsessionnel.

Fondée en 2015 par Simon-Pierre Bestion, la compagnie vocale et instrumentale La Tempête s’est donné pour but de renouveler l’approche du spectacle musical, et transforme le concert en expérience d’immersion sensorielle. Jeux des lumières et des acoustiques, mélange des teintes, mise en scène, spatialisation…

Autant de moyens inédits pour permettre aux musiques anciennes de « se déployer tout autant dans leurs énergies méditatives que dansantes ».

français

Color by Various, Da (2022/2022), Direttore d'orchestra Simon-Pierre Bestion de Camboulas, Opéra de Lille, Lilla, Francia

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