Name: Concert Version of Aida
Start: 2012-08-03T00:00:00.000Z
End: 2012-08-05T00:00:00.000Z
Location: NCPA

Organization

Admin

National Centre for the Performing Arts

New National Theatre Tokyo

Conductor

Guoyong Zhang

Singer

Soprano

Hui He

Aida

Tenor

Satoshi Mizuguchi

Radames

Mezzo-soprano

Shimizu Kasumi

Amneris

Baritone

Yuan Chenye

Amonasro

Bass

Hao Jiang Tian

Ramfis

Hidekazu Tsumaya

The King of Egypt

Others

China NCPA Chorus

Set designer

Zhang Wu

Lighting designer

Xiao Lihe

Orchestra

China NCPA Orchestra

Concert Version of Aida

Beijing

China

NCPA

Opera House

Concert Version of Aida: Aida Verdi

Public

Private

Prajna Dittakavi

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Aida is a grand opera created by Giuseppe Verdi, who was invited by the Governor of Egypt for the purpose of celebrating the navigation of the Suez Canal, which was premiered in 1871. The plot centers on the love between Aida (an Ethiopian prisoner of war) and Radames (an Egyptian hero). Encountered with the choice for true love and patriotic loyalty, various roles of this opera are in a dilemma. The whole work is full of strong contrasting feelings, such as Aida’s attachment for her motherland and love for her sweetheart, Radames' celebration for the victory and decision on 'unjust act' and Egyptian princess Amneris’ overbearing possessiveness for Radames. The whole opera is well-established so that the audiences feel depressed for the bitter love story. 

To accurately roll out geographical outlook and cultural characteristics of the whole story, Verdi often visited the museums to appreciate Egyptian antiquities and consulted from Egyptian experts. He integrated ancient musical materials into vivid and profound understanding of the opera expression. Grand stage set of Aida makes itself suitable to be staged in the open air. In finale of Act II, Triumphal March and Chorus is representative section due to shocking scenes and great music. Moreover, Radames' Celeste Aida and Aida's Ritorna vincitor are both exquisite and unforgettable works. 

Currently NCPA and New National Theatre of Japan work together to stage a concert version of the opera Aida, which will not only demonstrate the extraordinary musical charm of this classical opera once again, but also pay tribute to the 40th Anniversary of Normalization of Diplomatic Relations between China and Japan.

English

Concert Version of Aida by Verdi, No (2012/2012), Diriģents Guoyong Zhang, NCPA, Beijing, China

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