Organization

Opéra de Lausanne

Direzione d'orchestra

Diego Fasolis

Regia

Jean Liermier

Scenografia

Rudy Sabounghi

Costumi

Luci

Jean-Philippe Roy

Cantante

Soprano

Arianna Vendittelli

Fiordiligi

Mezzosoprano

Wallis Giunta

Dorabella

Tenore

Pavel Petrov

Ferrando

Baritono

Robert Gleadow

Guglielmo

Basso

Rubén Amoretti

Don Alfonso

Marie Lys

Despina

Others

Orchestre de Chambre de Lausanne

Cheur de l'Opéra de Lausanne

Direzione del coro

Director assistant

Jean-Philippe Guilois

Parrucco

Cécile Kretschmar

Così fan tutte

Losanna

Svizzera

Public

Approvato

When he set to work on his first work with the ‘imperial poet’ Lorenzo da Ponte in the autumn of 1785, it had been three years since Mozart had touched opera. Their first partnership on Le nozze di Figaro was an immediate triumph, so much so that the Emperor of Austria himself, who loved it, demanded more. In 1789, he commissioned a new opera buffa, while personally imposing the subject: the on-stage transposition of a (true-life) story that everyone in Vienna was talking about, that of two officers who, while stationed in Trieste, had… swapped wives! This was to be Così fan tutte. Both Mozart and Da Ponte outdid themselves. A Venetian familiar with the most tortuous paths of love and, more generally, with the whole range of emotional subtleties inherent to human nature, the poet delivers a pared-down work in which equivocation and offbeat humour are given free rein, in the purest buffa tradition. Perfectly in tune with these different levels of language and understanding, Mozart let himself be carried along by the plot, delivering a virtuoso score in terms of the refined combinations it offers: duets, ensembles, and even the use of the orchestra itself to spice up the whole thing with innuendo. And all this in barely a month!

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Co-produttore