Organization

Teatro Jose Lúcio da Silva

Cosi Run Tutti

Leiria

Portugal

Public

Così fan tutte

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Contralto

Bass

Countertenor

Tenor

Bass-baritone

Mezzo-soprano

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

“Così fan tutte” era para ser uma ópera contemporânea, o cruzamento das estéticas e linguagens do teatro da Palmilha Dentada e a Interferência. O grupo de teatro e o coletivo de criadores de música contemporânea, a que ainda por cima se acrescentava a riqueza e a modernidade dos meios audiovisuais, numa linguagem que não chegando a ser kitsch, era garante de uma modernidade oportuna.

Infelizmente a coisa correu mal. Não é fácil o cruzamento entre o humor da Palmilha e a erudição da música contemporânea da Interferência. Nem os músicos representavam, nem os atores tinham ritmo e principalmente ninguém cantava, coisa que, apesar de todas as estéticas modernas, continua a ser fundamental na montagem de uma ópera, mesmo que contemporânea, mesmo que com meios audiovisuais, mesmo que quase kitsch.

O resultado final – de nome “Cosi run tutti”, em tradução muito livre “assim fogem todos” – não passa de uma reflexão sobre estéticas e a relação entre os criadores e os seus públicos, sobre a importância das políticas culturais e da riqueza e importância dos projetos artísticos pessoais e coletivos para lá das modas dominantes.

Mas, apesar de tudo, o resultado final tem música, humor e cantoria. Já o Mozart, está inocente de toda esta confusão.

português

“Così fan tutte” was to be a contemporary opera, the crossing of the aesthetics and languages ​​of the theater of Palmilha Dentada and Interferencia. The theater group and the collective of contemporary music creators, to which was added the richness and modernity of the audiovisual means, in a language that was not kitsch, was a guarantee of an opportune modernity.

Unfortunately, things went wrong. It is not easy to cross between the humor of Palmilha and the erudition of contemporary music of Interference. Neither the musicians represented, nor the actors had rhythm and, above all, nobody sang, something that, despite all the modern aesthetics, continues to be fundamental in the staging of an opera, even if it is contemporary, even if it uses audiovisual means, even if it is almost kitsch.

The final result – called “Cosi run tutti”, in a very free translation “like this all flee” – is nothing more than a reflection on aesthetics and the relationship between creators and their audiences, on the importance of cultural policies and the wealth and importance of personal and collective artistic projects beyond the dominant fashions.

But, despite everything, the end result has music, humor and singing. Mozart, on the other hand, is innocent of all this confusion.

English

Cosi Run Tutti by Mozart, pá 17 úno 2023, Od (2023/2023)

Výkonnostní kredity (Obsazení a tým )

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény