Organization

Stage director

Eleni Ioannidou

Costume designer

Anna Utko

Pianist

Mateusz Słowikowski

Singer

Mezzo-soprano

Malgorzata Przybysz

Marie

Bass

Mikołaj Bońkowski

Gnome

Tenor

Christian Bild

Hänschen

Soprano

Housewife

Ars Augusta

Gearmáinis

Das Wichtelchen

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

In the opera in one act by Max Marschalk, an elf befriends the young Marie, who is the nanny in a lady's house and takes care of her son Hansen. Hänschen likes the songs and stories of his nanny. When asked how Marie knew these songs from, she replied that it was a little pixy she was teaching her. But Hans has to go to sleep now and then the imp appears behind the stove. He begins to talk to the young girl and makes her remember an incident that she pushed aside a long time ago. The girl's dark secret is then revealed and the opera ends with a dramatic finale. But until the end we don't know who this pixie really is and why he appeared?
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Max Marschalk has written music for many pieces by Gerhart Hauptmann, such as "Und Pippa tanzt", "Sunken bell" or "Schluck und Jauch". The first and most important was "Hanneles Himmelfahrt", which was translated into Polish by Maria Konopnicka. It was Bolko von Hochberg who, as director of the Royal Theater in Berlin, made the premiere possible in 1893. Hannele is a half-orphan who, mistreated by her father, throws herself into the icy river out of desperation. Rescued by the villagers and their teacher Gottwald, she lies dying next to sister Marta, and sees in a dream how everyone around is transformed into angels. In heaven she sees her beloved teacher transforming into the "stranger" (Jesus) who receives her in paradise. Hannele was the debut role of many later great actresses such as Pola Negri.

English

Das Wichtelchen by Marschalk, Sat 10 Deai 2020, Ó (2020/2020), Faoi stiúir Eleni Ioannidou,

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Clár, Eolas & Achoimre

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid