Name: De temporum fine comoedia
Start: 2022-12-25T00:00:00.000Z
End: 2022-12-26T00:00:00.000Z
Location: Zavod Shpagina

Organization

The Diaghilev Festival

Coreógrafo(a)

Anastasia Peshkova

Diseñador(a) de vestuario/Figurinista

Sergey Illarionov

Director(a) orquestal

Teodor Currentzis

Director(a) de escena

Anna Guseva

Escenógrafo(a)

Yulia Orlova

Diseñador(a) de iluminación

Ivan Vinogradov

Mezzosoprano

Eleni-Lydia Stamellou

Die neun Sibyllen

Others

musicAeterna Choir

Orchestra

musicAeterna Orchestra

De temporum fine comoedia -  (La comedia del fin de los tiempos)

Perm

Rusia

Zavod Shpagina

De temporum fine comoedia

Public

La comedia del fin de los tiempos

Válido

Bajo

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor(a)

Libretista

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Soprano

Bajobarítono

Contratenor

Tenor

Barítono

Hablado

Vocalista infantil

Silencio

Alto

Continuo

The central event of the Diaghilev+ Festival will be the production premiered at the Diaghilev Festival in the summer of 2022 and nominated for the Russian national award Golden Mask-2022 in five nominations. The stage version of The Mystery on the End of Time (De Temporum Fine Comoedia) – the pinnacle of Carl Orff's late work – fits eternal themes into the post-industrial context of the Shpagin Plant and our time.

Director Anna Guseva, choreographer Anastasia Peshkova, artist Yulia Orlova, and costume designer Sergey Illarionov have conceived the production as a performance based on physical theatre. In the factory space, the modern version of the ancient doctrine of Apocatastasis, the universal salvation, is unfolding energetically, and at the same time slowly, dramatically, but also meditatively: why did people kill God? Can they be forgiven? What awaits the world at the moment of the Apocalypse? The performance interprets eternal questions in a new way, but in its core strictly follows the ideas of the reformer of the musical theatre Carl Orff.

Throughout his life Orff was developing a special type of musical theatre where he synthesized relatively simple musical forms, allegedly unprofessional singing, dance, dramatic acting, and recitation in search of the art's proto-language. The composer called this synthesis "world theatre", omitting the word "music" itself. Meanwhile, music plays a key role in his mysteries. Orff's orchestra composition is unorthodox to the extreme with the participation of many percussion instruments. Orff's soloists should not only have great acting abilities, but also be able to abandon the actor's type of existing on stage, performing not the roles, but ritual duties. Orff's choir should be able to speak and shout, and dramatic actors should be able to sing. Orff's mysteries are a far cry from conventional theatre, but they are close to medieval liturgical dramas performed in churches and on the streets.

The pinnacle of these searches was the synthetic score of De temporum fine comoedia, which only with a stretch could be attributed to the opera genre. In his Mystery on the End of Time, Orff summarized his deeply personal ideas about light and darkness, about good and evil, about the world order and the end of time, combining Latin, Ancient Greek, and German texts from the Sibylline Books, the collection of orphic hymns, and the medieval collection Carmina Burana. This grand-scale work for many soloists, several dramatic actors, a choir, and a huge orchestra with the participation of about thirty percussionists was being created over the period of ten years (1962 – 1971) and was repeatedly edited by the author. The 1973 version, premiered under the conduction of Herbert von Karajan at the Salzburg Festival, will be performed at Diaghilev + Festival.

English

La comedia del fin de los tiempos by Orff, dom. 25 dic 2022, De (2022/2022), Dirigido por Anna Guseva,, Director Teodor Currentzis, Zavod Shpagina, Perm, Rusia

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Ensamble

Programa, Acerca de & Sinopsis

Fotografías

Más información

Fechas y lugares de actuación

Lugares