Name: Der Kommissar
Start: 2002-03-15T00:00:00.000Z
End: 2002-03-22T00:00:00.000Z
Location: Jugendstiltheater am Steinhof

Organization

Singer

Nina Maria Plangg

Anna

Alfred Werner

Kommissar

Günther Strahlegger

Hans Z

Bernd Fröhlich

Hans K

Florian Kugler

Hans P

Conductor

Erke Duit

Stage director

Kristine Tornquist

Costume designer

Vesna Tusek

Set designer

Jakob Scheid

Ingrid Haselberger

Stimme des toten Kindes

Marlene Rahmann

Totes Kind

Roman Steger

Beamter 1

Martin Witzmann

Beamter 2

Maren Rahmann

Putzfrau / Amtsarzt

Lighting designer

Edgar Aichinger

Dramaturge

Alois Hofinger

Puppenbühne

Julia Reichert

Christopher Widauer

Roman Spiess

sirene Operntheater

Orchestra

Jugendstiltheater

vācu

Der Kommissar

The Commissioner - Act 1 | https://www.sirene.at/archiv/2002-der...
Videomitschnitt 2. Akt:  https://youtu.be/CxOuUYgbqYA
Turn on subtitles on youtube! THE COMMISSIONER A crime opera by Kristine Tornquist with music by Jury Everhartz based on Tristan and Isolde by Richard Wagner March 15, 16, 17, 18, 20 and 22, 2002 | Art Nouveau theater at the Steinhof siren opera theater 2002

00:00 The commissioner
01:13Overture. The dead child
02:08Scene 1 - Aria I Anna. A guardroom
10:11Scene 2 - Aria child. A dream
20:16 Scene 3 - Aria I Hans Z. The forest owner
29:02 Scene 4 - Aria I Hans K. The missing father
37:04Scene 5 - Aria II Anna. The silent mother
47:26 Scene 6 - Duet I Hans P. and Hansi P. The sugar sellers
57:33Scene 7 - choir. Who has disturbed the sleep of the world?
58:50Applause - pause Anna appears in the guard room with her child, whom she found murdered in the forest. The superintendent and his two strange officers promise to find the killer. First the officers interrogate the irascible forest owner Hans Z., but he denies everything and points out a stranger whom he has seen talking to the child ... who turns out to be the child's father, who has been lost for a long time and who secretly establish contact wanted. But the child, says his father, Hans K., was afraid of him and ran away, supposedly home. The suspicion even falls briefly on Anna, who only sings about her pain on all questions, but then on the candy seller Hans P. and his wife Hansi, who burden each other and then also the forest owner. In the following interrogations it turns out that the child was in the forest a second time, talked to his father a second time, was in the candy store a second time, that the suspicion is passed on from one to the next and cannot be tied down anywhere. Everyone is suspicious, but no one is more suspicious than anyone else, and the investigation seems to be in the process of being. The inspector interrupts the interrogation. During the on-site inspection with everyone involved, he is determined to solve the mystery of the murder, to coax the secret from the dead child. He has gathered enough clues and empathized deeply into the souls of the suspects ... he is the detective who also solves the unsolvable cases. Anna, the mother. Soprano. Nina Maria Edelmann (formerly Plangg) The dead child. Soprano. Ingrid Haselberger The dead child. Figure. Marlene Rahmann. Zoe Suchanka The commissioner. Bass baritone. Alfred Werner Hans Z. , Forest owner. Baritone. Günther Strahlegger Hans K., father of the child. Tenor. Bernd Fröhlich Hans and Hansi P., sugar sellers. Tenor. Florian Kugler civil servant 1st speaking role. Roman Steger civil servant 2nd speaking role. Martin Witzmann cleaning lady / medical officer. Play. Maren Rahmann puppet show. Anita Koerber. Horst Thaller The red orchestra violin. Franz Pobenberger. Barbara Pobenberger viola. Ursula David cello. Ruth Straub flutes. Christine Albert trumpet. Franz Wallner trumpet. Matthias Schwetz Heckelphone. Stephan Natschläger bass clarinet. Petra Stump. Heinz-Peter Linshalm bassoon. Christof Dienz. Katharina Mandl. Marcelo Padilla. Angelika Vladar contrabassoon. Zarko Perisic musical director. Erke Duit director. Kristine Tornquist puppet stage. Cabinet theater. Julia Reichert. Christopher Widauer. Roman Spiess stage. Jakob Scheid costume. Vesna Tusek light. Edgar Aichinger assistance. Jasmin Bebek. Julia Herrnböck. Aladin Kovacs. Agnes Wiesbauer production assistant and PR. Martina Maggale Photography. Andreas Friess Directorate. Alois Hofinger production. Kristine Tornquist. Jury Everhartz Der Kommissar, a crime opera, almost two completely successful hours. It was composed by the Berlin jury Everhartz, 31, in a vital mix of styles and along a Tristan motif. The libretto was written by Kristine Tornquist from Graz, who is also the director. 12 trees (stage: Jakob Scheid) that cover the orchestra in the background of the stage (1 string quartet and 12 wind instruments, including 5 bassoons, conductor Erke Duit) are the forest in which a young mother (Nina Plangg) initially discovers her murdered child . Two police officers (Roman Steger and Martin Witzmann) interrogate the suspects: The forest owner (Günther Strahlegger), the child's father (Bernd Fröhlich) and the candy seller (Florian Kugler). The commissioner (Alfred Werner) seems to be mute at first, but then raises his bass voice. The inspector is convincing as a mixture of expressionist-philosophical message, verbal and scenic joke. A parallel event develops on a puppet stage. Julia Reichert and Christoph Widauer (Kabinetttheater) almost steal the show from the singers with their creative ideas. With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner the child's father (Bernd Fröhlich) and the candy seller (Florian Kugler). The commissioner (Alfred Werner) seems to be mute at first, but then raises his bass voice. The inspector is convincing as a mixture of expressionist-philosophical message, verbal and scenic joke. A parallel event develops on a puppet stage. Julia Reichert and Christoph Widauer (Kabinetttheater) almost steal the show from the singers with their creative ideas. With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner the child's father (Bernd Fröhlich) and the candy seller (Florian Kugler). The commissioner (Alfred Werner) seems to be mute at first, but then raises his bass voice. The inspector is convincing as a mixture of expressionist-philosophical message, verbal and scenic joke. A parallel event develops on a puppet stage. Julia Reichert and Christoph Widauer (Kabinetttheater) almost steal the show from the singers with their creative ideas. With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner The inspector is convincing as a mixture of expressionist-philosophical message, verbal and scenic joke. A parallel event develops on a puppet stage. Julia Reichert and Christoph Widauer (Kabinetttheater) almost steal the show from the singers with their creative ideas. With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner The inspector is convincing as a mixture of expressionist-philosophical message, verbal and scenic joke. A parallel event develops on a puppet stage. Julia Reichert and Christoph Widauer (Kabinetttheater) almost steal the show from the singers with their creative ideas. With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner With this premiere, a new opera company introduced itself to the audience: the siren opera theater. It is to be hoped that this Commissioner will have a number of other such cases worth seeing and hearing to solve! Opernwelt, May 2002, Harald Steiner

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