Organization

Regia

Jean-Claude Berutti

Direzione d'orchestra

Jochem Hochstenbach

Costumi

Jeannie Kratochwil

Scenografia

Rudy Sabounghi

Wouter Padberg

Direzione del coro

Martin Folz

Drammaturgia

Malte Kühn

Cantante

Basso

Karsten Schröter

Il barone Ochs di Lerchenau

Soprano

Tineke Van Ingelgem

La Marescialla, principessa di Werdenberg

Karen Leiber

Mezzosoprano

Janja Vuletic

Octavian

Baritono

Thomas Berau

Il signore di Faninal

Einat Aronstein

Sophie

Silja Schindler

La signorina Marianne Leitmetzerin

Tenore

Derek Rue

Valzacchi

Hélène Bernardy

Annina

Roman Ialcic

Un commissario di polizia

Thorsten Büttner

Un oste

Un cantante

Joong-Uk Chung

Il Maggiordomo della Marescialla

Fernando Gelaf

Il Maggiordomo di Faninal

Marc Kugel

Ein Notar

Yurj Dolgopolov

Un venditore di animali

Hee-Gyoung Jeong

Una modista

Constanze Haubrich

1. Orfana

Contralto

Kristina Karmeier

3. Orfana

Sergej Snegirev

1. Lacchè

Hak-Ill Kim

2. Lacchè

3. Cameriere

3. Lacchè

Tim Heisse

4. Lacchè

4. Cameriere

Wolfram Winter

1. Cameriere

Andrea Azzurrini

2. Cameriere

Carsten Emmerich

Theater Trier

Others

Opernchor des Theaters Trier

Orchestra

Philharmonisches Orchester der Stadt Trier

tedesco

Der Rosenkavalier -  (Il cavaliere della rosa)

Treviri

Germania

Grosses Haus

Public

Il cavaliere della rosa

Approvato

Is a dream, can't be real.: Der Rosenkavalier Strauss,R

The field marshal, Princess Werdenberg, is having an affair with the very young Count Octavian. Her cousin, the fortune hunter Baron Ochs, wants to marry Sophie, the daughter of the rich industrialist Faninal. At the request of the Field Marshal, Octavian is to present Sophie with the traditional silver rose. But the two young people fall in love with each other, while Ochs makes no impression on the girl with his uncouth manner. On the contrary - she refuses to marry him. A scandal ensues. Together with the schemers Annina and Valzacchi, Octavian devises a plan to publicly expose Ochs and thus prevent the marriage. Will the field marshal release her lover?
The successful premiere of Der Rosenkavalier on January 26, 1911 at the Dresden Semperoper was one of the last major operatic events of the German Empire before old Europe perished in the First World War. This mood of upheaval, the disintegration of society, can also be felt in Rosenkavalier , which is pervaded by a melancholy mood. "There is more of the past in the present than you might think," says Hofmannsthal. The great theme of the opera is the transience of love and life, which is addressed again and again by the Field Marshal. Richard Strauss expressed this in his out of joint waltzes. He wanted to write a kind of Mozart opera. Although he oriented himself towards Mozart and the Viennese classics and thereby turned away from the powerful modernity of the previous works Salome and Elektra , he wrote music at the height of his time.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble