Organization

Sänger

Bass-Bariton

Marc Barrard

Der Marquis de la Force

Tenor

Piotr Buszewski

Der Kavalier de La Force

Sopran

Mojca Erdmann

Blanche de La Force

Narea Son

Schwester Constance von Saint-Denis

Mezzosopran

Katja Pieweck

Mutter Maria von der Menschwerdung

Kristina Stanek

Mutter Johanna vom Kinde Jesu

Jürgen Sacher

Der Beichtvater des Karmel

Collin André Schöning

Erster Kommissar

Bariton

Chao Deng

Zweiter Kommissar

Bass

Nicholas Mogg

Ein Offizier

Ines Krebs

Une voix de femme

Regie

Nikolaus Lehnhoff

Dirigat

Kent Nagano

Lichtgestaltung

Olaf Freese

Kostümbild

Andrea Schmidt-Futterer

Bühnenbild

Raimund Bauer

Chordirektion

Christian Günther

Assistant stage design

Philipp Nicolai

Sophie Pondjiclis

Madam de Croissy

Peter Veit

Thierry

Doojong Kim

M. Javelinot

Emma Bell

Madam Lidoine

Carolin Löffler

Schwester Mathilde

Andrei Bondarenko

Der Kerkermeister

Lisa Jackson

Leo Yeun-Ku Chu

Mark Bruce

Staatsoper Hamburg

Others

Hamburg State Opera Choir

Orchestra

Philharmonic State Orchestra Hamburg

Französisch

Dialogues des Carmélites -  (Gespräche der Karmeliterinnen)

Hamburg

Deutschland

Staatsoper

Großes Haus

Dialogues des Carmélites Poulenc

Public

Gespräche der Karmeliterinnen

Deutsch

Genehmigt

France, 1794: Blanche de la Force is said to become Blanche de l'Agonie du Christ. The agony of Jesus in the name, the fearful Blanche wants to seek security from the turmoil of the revolution among the Carmelites as a religious sister. But even the monastery walls do not offer any protection from the tremendous social upheaval. The nuns are increasingly being targeted by the revolutionary forces. Blanche flees the community back to her father's house. But then she learns that her fellow sisters are about to go to the guillotine. Blanche overcomes her fear.

With his key work "Dialogues des Carmélites", which premiered in Milan in 1957, the French composer Francis Poulenc dared to change sides. It is first a step behind the monastery walls: The noise of the world can only be heard muffled here, the events outside are only echoed in the “Conversations of the Carmelite Sisters”. Associated with this is a change of perspective: Poulenc does not present the large historical tableau, he describes the events as the moving story of his main character Blanche - and asks her and the audience an existential question: What do we do when the world around us breaks down Grout?

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble