Name: Die Besessenen
Start: 2010-02-19T00:00:00.000Z
End: 2010-02-25T00:00:00.000Z
Location: Theater an der Wien

Organization

Kontralt

Noa Frenkel

Frau Ocholowska

Baryton

Leigh Melrose

Cholawicki

Sopran

Hendrickje Van Kerckhove

Maja

Tenor

Benjamin Hulett

Leszczuk

Kontratenor

Jochen Kowalski

Fürst Holszanski

Manfred Hemm

Skolinski

Dyrygent

Johannes Kalitzke

Reżyseria

Kasper Holten

Scenografia

Steffen Aarfing

Kostiumy

Marie í Dali

Reżyseria światła

Jesper Kongshaug

MusikTheater an der Wien

Others

Klangforum Wien

niemiecki

Die Besessenen

Wiedeń

Austria

Theater an der Wien

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Libretto

Choreografia

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Mezzosopran

Bas - baryton

Spoken

Głos dziecięcy

Silent

Alto

Continuo

DIE BESESSENEN Johannes Kalitzke

Desert figures, blazing passion, greed for money, an ominous towel and finally a murder: With these ingredients the Polish author Witold Gombrowicz enriched his serial novel The Possessed , which he wrote in 1939 for the Polish newspapers Morgen-Express and Roter Kurier . The novel was thought to be lost due to the war for decades before it was rediscovered in 1967 and translated into many languages. Now the German writer Christoph Klimke has condensed Gombrowicz's model for his libretto dramatization and concentrated on individual storylines.

The egocentric, young and beautiful Maja is engaged to Cholawicki, the supposed heir of an old, run-down castle, but rich in art treasures. He should make her wealthy with his inheritance and at the same time save her mother from bankruptcy. However, the material plans are thwarted by Leszczuk, a young (tennis) player with whom Maja falls in love. Both are unscrupulous egotists, complicit
the self-destruction of society, which is marked by morbid decline. The only one who is really committed to the future and the preservation of the country's culture is the art historian Skolinski, who examines the collection in the castle. Obsessed not only with property, but also with his missing son, however, is the old prince and lord of the castle. The possessed end up in destruction - in the end all that's left is disillusionment.

The music of the possessedis based on the relationship between the different times represented by the people in the play, in which they live and to whom they feel they belong, and on the image of this strange ghost figure, the towel, which throws the people of this story into confusion. Elements of early music and commercial media combine with the composer Johannes Kalitzke's own tonal language to form a fabric of structural relationships, which in the course of the piece form into one like the folds of a cloth, a fan that slowly closes and leaves an image-free axis Center condensed, which soaks everything up in itself.

English

Die Besessenen by Kalitzke, czw 25 lut 2010, od (2010/2010), W reżyserii Kasper Holten,, Dyrygent Johannes Kalitzke, Theater an der Wien, Wiedeń, Austria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Filmy

Dalsza lektura

Daty i miejsca występów

Miejsca