Name: Die Entführung aus dem Serail
Start: 2012-05-26T00:00:00.000Z
End: 2012-07-07T00:00:00.000Z
Location: Opernhaus

Organization

Dirigent

Adam Fischer

Sångare

Soprano

Malin Hartelius

Konstanze

Rebeca Olvera

Blonde

Tenor

Javier Camarena

Belmonte

Michael Laurenz

Pedrillo

Bass

Alfred Muff

Osmin

Spoken

Michael Maertens

Selim

Kostym designer

Florence von Gerkan

Scenograf

Bernhard Kleber

Opernhaus Zürich

tyska

Die Entführung aus dem Serail -  (Bortrövandet från seraljen)

Zürich

Schweiz

Opernhaus

Bortrövandet från seraljen

engelska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Mezzo-soprano

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

With the support of the Vontobel Foundation, Michael Ringier AG and the Friends of the Zurich Opera Conductor - Adam Fischer Production - Adrian Marthaler Stage design - Jörg Zielinski Costumes - Florence von Gerkan Lighting design - Elfried Roller Choir master - Jürg Hämmerli Orchestra - Orchestra of the Zurich Opera Choir - Choir of the Zurich Opera With Eva Mei (Konstanze), Rebeca Olvera (blonde); Michael Maertens (Bassa Selim), Javier Camarena (Belmonte), Michael Laurenz (Pedrillo), Alfred Muff (Osmin) "A trifle" was what Mozart called his "Abduction from the Seraglio" after completing "Le nozze di Figaro"; Nevertheless, it was this Singspiel that earned him unanimous recognition as an opera composer. The work was created between Mozart's final break with Salzburg and his employer Archbishop Colloredo in May 1781 and the marriage to Constanze Weber in August 1782, which was initially stubbornly denied in the letters to his father, and then took place against his will. And Mozart had written it on behalf of him Emperor Joseph II, who tried to found a "German National Theater" against the dominant Italian opera and had already taken over the Vienna Burgtheater into the administration of the court in 1776. With “The Abduction from the Seraglio”, Mozart and his librettist Stephanie the Younger took up a subject that had already been the subject of many operas: on the one hand, there is the pair of lovers who, initially separated from one another, find themselves in oriental slavery and flee , is caught again and is finally allowed to return to his homeland thanks to the generosity of the Turkish prince. A second line developed around the coarse, more or less simple-minded harem guard, often called Osmin, who was tricked and ridiculed in various ways. And yet Mozart's composition resulted in an independent masterpiece that pushed German opera on an equal footing to the theatrical stage, which was previously dominated by Italian and French opera. Mozart succeeded for the first time in breaking free from the strict formal rules of the genre. He designed the work according to purely content-related criteria and mixed the elements of the Singspiel, the Opera seria and the Opéra comique as required by the respective dramaturgical situation. The most significant change compared to the comparable contemporary «Turkish operas» was the role of Bassa Selim. If the latter usually recognizes at the last moment in Belmonte his own, long-lost son, whom he naturally forgives, then in Mozart's "Abduction" Belmonte is the son of Bassa Selim's worst enemy. With this, Bassa Selim's forgiveness appears in a new light. He acts according to Christian principles and thus proclaims the humane message of the Enlightenment.

THE ABDUCTION FROM THE SERAIL - MOZART

Bortrövandet från seraljen by Mozart, tor 14 jun 2012, Från (2012/2012), Dirigent Adam Fischer, Opernhaus, Zürich, Schweiz

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Program, Om & Synopsis

Videoklipp

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser