Organization

Sänger

Tenor

Johannes Mertes

Gabriel von Eisenstein

Sopran

Anna Princeva

Rosalinde

Bariton

Martin Tzonev

Frank

Mezzosopran

Anjara Ingrid Bartz

Prinz Orlofsky

Susanne Blattert

Santiago Sánchez

Alfred

Giorgos Kanaris

Dr Falke

Vincenzo Neri

Josef Michael Linnek

Dr Blind

Marie Heeschen

Adele

Sprechrolle

Christoph Wagner-Trenkwitz

Frosch

Regie

Aron Stiehl

Dirigat

Daniel Johannes Mayr

Lichtgestaltung

Max Karbe

Bühnenbild

Timo Dentler

Okarina Peter

Choreographie

Bärbel Stenzenberger

Correction

Igor Horvat

Miho Mach

Stage Design Assistant

Ansgar Baradoy

Costume Assistant

Dieter Hauber

Regieassistenz

Ruben Michael

Elisa Birkenheier

Jennifer O'Loughlin

Dance captain

Josefine Patzelt

Chordirektion

Marko Medved

Sophia Theodorides

Viktorija Kaminskaite

Theater Bonn

Orchestra

Beethoven Orchester Bonn

Deutsch

Die Fledermaus

Bonn

Deutschland

Opernhaus

Die Fledermaus Strauss II,J

Public

Englisch

Genehmigt

No. 2

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FLEDERMAUS | Trailer

This operetta of all operettas is set ‘in a spa near a large city’. It was not difficult for the cognoscenti to identify the large city as Vienna and the spa as Baden, located 25 kilometres south of the capital and the summer residence of Francis I – and also the place where Beethoven spent his summers for 15 years. Nobody likes to be made a laughing stock – and neither does Dr Falke, whose friend Eisenstein surrendered him to the ridicule of early risers in a bat costume after a drunken night.

When Eisenstein is sentenced to eight days in prison for insulting an official, Falke’s moment has come. He lures his friend to Prince Orlofsky’s celebration for one last night of frolics. Along with the increasing bliss caused by waltzing and champagne, there is mounting confusion. Not until the following morning does it become clear: All entanglements were part of the revenge plan. And so, the humiliated Dr Falke seizes the moment to exact the ‘revenge of the bat’. In the end, everyone reconciles and blames it all on his majesty, the champagne.

At first, the Viennese audiences were not sure whether to like the third operetta by their revered Johann Strauß (son) or not. A review in Wiener Fremdenblatt read: “To be sure, there is a great deal of frivolity: When, for instance, a strange man takes off his coat in the presence of the woman he admires and throws on the absent head of the household’s dressing gown, or when a respectable gentleman nestles close to the breast of his Dulcinea to measure her heartbeat with his watch at the masked ball. We think this is more common than piquant.”

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble