Name: Die Fledermaus
Start: 2022-01-15T00:00:00.000Z
End: 2022-06-03T00:00:00.000Z
Location: Rostov State Musical Theatre

Organization

Regissör

Vyacheslav Kushchev

Svetlana Guseva

Dirigent

Alexey Shakuro

Andrei Anikhanov

Ljus designer

Boris Mikhailov

Kostym designer

Natalia Zemalindinova

Koreograf

Anna Kalachinskova

Körledare

Elena Klinicheva

Susanna Takmazyan

Tatiana Kolpikova

Responsible accompanist

Svetlana Antonov

Stage Speech Tutor

Natalia Makarova

Soprano

Ekaterina Krasnova

Rosalinde

Baritone

Ilya Savonevsky

Dr Falke

Tenor

Gleb Melanich

Alfred

Pavel Belousov

Frank

Sångare

Gennady Verkhogliad

Prosecutor

Ekaterina Bezdolnaya

Lotta

Galina Yanpolskaya

Amalia

Mezzo-soprano

Olga Kalinina

Prinz Orlofsky

Andrei Lohvinau

Ball Manager

Maxim Serdyukov

Dr Blind

Spoken

Yuri Alekhin

Frosch

Valery Hraponov

Evgeny Kalinin

Forester

Head of electroacoustic department

Pavel Omelchenko

Kirill Chursin

Heinrich

Eduard Zakaryan

Rostov State Musical Theatre

Die Fledermaus -  (Läderlappen)

Rostov-na-Donu

Ryssland

Chamber stage

Die Fledermaus Strauss II,J

Public

Läderlappen

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Librettist

Scenograf

Dansare

Skådespelare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

contralto

Countertenor

Child vocalist

Silent

Alto

Continuo

"The Bat" by I. Strauss has long become an icon of style in its genre. For more than 140 years of its existence, it has repeatedly been staged on the stages of the most famous musical theaters in the world. Despite the fact that the work is already so many years old, it does not age and always gives great pleasure to the public. This performance is a holiday, bright, light, colorful and filled with humor. The music of this operetta is distinguished by a special atmosphere of joy and expectation of new emotions. Unobtrusive and light melodies give faith in true beauty and true happiness, to which the heart and mind of everyone are directed.
   "Die Fledermaus" was one of the first operettas to see the light of the stage on the stage of the new Rostov State Musical Theatre. Five years ago, the performance was removed from the repertoire. Since then, it has been possible to live a rare day so that someone does not remind, sigh, or even reproach that "The Bat" is not on the poster. But I didn't want to put it on. We live in a different time and in a different world. The absurdities about a shot hazel grouse, a Russian prince singing in a female voice, a swaying prison and the “famous” dog Emma ... will not adorn the repertoire of our theater, which today is already very respected in Russia and abroad. Of course, music is one of the pinnacles of the genre, a true gem in the author's crown, but the plot... For this reason, modern Russian theaters sometimes take the original text and sing in German. The result is usually disappointing.

The scales were tilted towards "FOR" by the editorial staff of the libretto, which was completed by maestro Andrey Anikhanov. In the version he proposed, the plot, without losing its anecdotal character, has become more coherent, individual situations no longer cause bewilderment. At the Artistic Council, we offered Andrei Anatolyevich to lead the work on a new version of The Bat as a musical director and director.

... If we convened a conference with the participation of spectators, critics, theater workers - artists, directors, conductors, and put the question “How to stage this operetta?” On the agenda, there would be exactly the same number of opinions as those present. Everyone has their own "Bat" in their imagination, in their memory. Most likely, the one that I saw in early youth, when I first met the charming idler Eisenstein, his charming wife Rosalind, the hilariously funny jailer, other participants in this cheerful story, with the unfadingly fresh and bewitchingly beautiful music of Johann Strauss.

Thus, bringing this performance to the audience's judgment, we, on the one hand, take a decisive step towards the wishes of the public and our own creative aspirations. On the other hand, we are taking a big risk. But you can be sure of one thing: the theater did its best to immerse you in the world of eternal youth, enchanting beauty, sparkling humor. And love, love, love!

As for the risk, then, as the classic said, the one who does not risk the most risks.

English

Läderlappen by Strauss II, sön 06 mar 2022, Från (2022/2022), Regisserad av Vyacheslav Kushchev, Svetlana Guseva,, Dirigent Alexey Shakuro, Andrei Anikhanov, Rostov State Musical Theatre, Rostov-na-Donu, Ryssland

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