Organization

Conductor

Wojciech Semerau-Siemianowski

Stage director

Jitka Stokalska

Set designer

Lucja Kossawska

Choreographer

Natalia Fedorowa

Chorus master

Małgorzata Bornowska

Singer

Tenor

Adam Zdunikowski

Gabriel of Eisenstein

Soprano

Lucyna Boguszewska

Rosalinde

Aleksandra Bałachowska

Adele

Baritone

Tomasz Łuczak

Doctor Falke

Paweł Wolski

Alfred

Bartłomiej Tomaka

Frank

Piotr Zgorzelski

Doctor Blind

Anna Rosa

Spoken

Wiesław Łągiewka

Frosch

Andrzej Brzeskot

Ivan

Opera na Zamku

Die Fledermaus -  (The Bat)

Die Fledermaus Strauss II,J

Public

The Bat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Contralto

Bass

Alto

Child vocalist

Continuo

Silent

The story, which begins in a bourgeois house, passes through the ballroom to end ... in a prison, has entertained audiences around the world for almost a century and a half. Intrigue, disguises, fights, couplets - all this creates a unique atmosphere and allows you to experience a wonderful evening at the opera, filled with singing and laughter.

"If you look closely at these three acts, it is easy to see that they represent three separate worlds: act I is a French boulevard comedy, based on brilliant dialogue, witty, surprising situations and bold eroticism; act II is a typical operetta in a new - then new - style, full of disguises and the unbelievable qui pro quo caused by them, full of dance, champagne and crowned with a mighty finale in the style of a comic opera; act III is a Viennese slapstick in Nestroy's style. Strauss had the difficult task of binding these three worlds with uniform music, imposing stylistic uniformity ". 
Lucjan Kydryński

English

The Bat by Strauss II, Ġim 09 Mar 2012, Minn (2012/2012), Immexxi minn Jitka Stokalska,, Surmast Direttur Wojciech Semerau-Siemianowski

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