Name: Die Fledermaus
Start: 2022-09-10T00:00:00.000Z
End: 2023-01-07T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Admin

Alexei Kostyuk

Heinrich von Eisenstein

Sopran

Alena Diyanova

Rozalinda

Tenor

Mingiyan Odzhaev

Alfred

Dmitry Migulyov

Falke

Irina Kolodyazhnaya

Prince Orlofsky

Primorsky Stage of the Mariinsky Theatre

Liliya Kadnikova

Olga Zharikova

Adela

Roman Krukovich

Dyrygent

Waleriy Trubin-Leonoff

Reżyseria

Alexei Stepanuyk

Choreografia

Ilya Ustyantsev

Reżyseria światła

Yevgeny Ganzburg

Wideo

Victoria Zlotnikova

Valery Gergiev

Kostiumy

Vyacheslav Okunev

Scenografia

Yegor Kartashov

Przygotowanie chóru

Larisa Shveikovskaya

Yevgeny Mizin

Eisenstein

Baryton

Doktor Falke

Mezzosopran

Tatiana Makarchuk

Książę Orłowski

rosyjski

Die Fledermaus -  (Zemsta nietoperza)

Władywostok

Rosja

Great Hall

Chamber Hall

Die Fledermaus Strauss II

Public

Zemsta nietoperza

Ayyappa swamy y

Approved

The waltz, wine and totally unrestrained merriment reign supreme in Die Fledermaus. Even the prison here is joyful rather than fearsome – people enter it almost willingly and there continue to celebrate. The leitmotif of the entire operetta comes with the words from Alfred and Rosalindeʼs duet – “Happy is he who passes by grief and cares.” “Easy listening” it may well be, but it is by no means easy to perform: both female leads demand virtuoso operatic control of the coloratura technique.

Russian audiences will be familiar with Die Fledermaus first and foremost thanks to the 1979 Lenfilm studiosʼ comedy with the Solomin brothers. In the film, the female vocals were provided by Larisa Shevchenko and Sofia Yalysheva, soloists of the Kirov Theatre. The text by Nikolai Erdman and Mikhail Volpin (1947), which provided the basis for the film script and for the current Mariinsky Theatre production, departs from the original libretto and offers an essentially separate and new opus, albeit retaining the majority of the characters.

And yet however much the plot peripeteia may differ, in any version and in any interpretation what remains unaltered is the dizzying and intoxicating music of Strauss. As critics noted following the premiere, it “enters the bloodstream through the ears and flows down to the feet, and even the most lazy listener unwittingly begins to nod his head, bestir himself and start tapping his feet. ‹…› One might well develop a good case of seasickness – the whole of the stalls 'rocks' so much from those magical waves of music that rise up from the orchestra pit.”

English

Zemsta nietoperza by Strauss II, ndz 09 paź 2022, od (2022/2023), W reżyserii Alexei Stepanuyk, Ilya Ustyantsev,, Dyrygent Waleriy Trubin-Leonoff, Valery Gergiev, Primorsky Stage of the Mariinsky Theatre, Władywostok, Rosja

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