Organization

Admin

Oper Leipzig

Costumi

Costumi (+1)

Daria Kornysheva

Scenografia

Ulrike Reinhard

Tenore (+5)

Jeffery Krueger

Gabriel von Eisentstein

Tenore (+1)

Adam Sanchez

Alfred

Mezzosoprano (+4)

Nora Steuerwald

Principe Orlofsky

Basso-baritono (+5)

Michael Raschle

Frank

Baritono (+2)

Ivo Kovrigar

Dottor Falke

Tenore (+3)

Andreas Rainer

Dottor Blind

Chor der Musikalischen Komödie

Orchester der Musikalischen Komödie

Direzione del coro

Direzione del coro (+2)

Mathias Drechsler

Soprano (+1)

Friederike Meinke

Rosalinde

Drammaturgo

Drammaturgo (+1)

Marlene Hahn

Soprano (+2)

Da-yung Cho

Regia

Regia (+5)

Peter Lund

Musikalische Komödie

Marie-Luise Dreßen

Orchestra

Chorus

Direttore d'orchestra

Michael Nündel

Soprano (+3)

Olivia Delauré

Adele

Attore (+1)

Thorsten Wolf

Frosch

Mirjam Neururer

Direttore d'orchestra (+1)

Tobias Engeli

Traduzione (+3)

Thomas Pigor

»Die Fledermaus« is considered the operetta of all, full of waltz, polka, who-with-who, champagne, confusion, disguise and fraternization. How refreshing that Gabriel von Eisenstein, who wants to have fun with young women before he goes to prison, has his wife Rosalinde do the same for her: with her old singing teacher Alfred. Only a tenor can be so bold! Adele, the chambermaid, is striving for something higher, but first as Miss Olga in her lady's dress to the ball. And so all the lovable characters who are not so particular about the truth arrive at Prince Orlofsky's ball. He is young, rich, bored - then a retaliatory action by Dr. Falcon just right. He still has a score to settle with Eisenstein: “The bat takes revenge! « Orlofsky's ball becomes a stage. And in the end, everyone meets again in prison. Here, Herr von Eisenstein finds out who his familiar brother, the Chevalier Chargrin, really is and what the doppelganger in his dressing gown is all about. Eisenstein's acquittal is tossed with champagne, because after all it's his fault, isn't it?

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