Organization

Sänger

Sopran

Tatiana Larina

Hannah Glawari

Maraike Schröter

Bariton

Reto Rosin

Graf Danilo Danilowitsch

Till von Orlowsky

Baron Mirko Zeta

Marie Hänsel

Valencienne

Tenor

Thomas Kiechle

Camille de Rossilon

Sprechrolle

Gerhard Ernst

Njegus

Felix Rohleder

Kromow

Daniel Pastewski

Bogdanovitch

Tea Trifković Ferenc

Sylviane

Konrad Furian

Raoul de Saint-Brioche

Mezzosopran

Antigone Papoulkas

Olga

André Eckert

Pritschitsch

Sylvia Schramm-Heilfort

Praskowia

Regie

Michael Schilhan

Dirigat

Diego Martin-Etxebarria

Kostümbild

Alexia Redl

Bühnenbild

Choreographie

Allen Yu

Dramaturgie

Johannes Frohnsdorf

Chordirektion

Stefan Bilz

Timo Rößner

Vicomte Cascada

Theater Chemnitz

Die lustige Witwe

Chemnitz

Deutschland

Opernhaus Chemnitz

Public

Private

Genehmigt

The Viennese comedian Fritz Grünbaum already knew: “In the absence of a better restaurant, the people dance on the volcano”. Franz Lehár's operetta The Merry Widowseems to exemplify the pointed statement. Here, more precisely, you dance at the embassy ball or in the nightclub, and while the fate of the fatherland hangs by a thread, the diplomatic corps of the small state of Pontevedro enjoys life in Paris to the full. At the same time, everyone looks at the young widow Hanna Glawari, whose hand the Parisian male world is wooing. If the Pontevedrin heiress does not marry a compatriot, her fortune migrates abroad. Your home state would be bankrupt in one fell swoop. Chief diplomat Baron Zeta puts everything on one card: Legation Secretary Count Danilo Danilowitsch is supposed to avert the impending catastrophe, preferably by marrying the Glawari himself. The notorious bachelor doesn't even think about it. He feels much too at home with the Grisettes in Maxim. And wasn't there an old story between him and Hanna? ... After the meeting of the two leads to a formal "declaration of war" and Hanna becomes engaged to a Frenchman, the bankruptcy seems inevitable. Nevertheless, Pontevedro gets away with it again. Hanna, the Parisian gentlemen are really pissed off. All she is looking for is the man who she truly loves, even without her money, and of course she finds him - in Danilo.

Franz Lehárs The Merry Widow  became a worldwide success in 1905 and the hour of birth of the modern operetta. Melodies like lips are silent , There I go to Maxim or The study of women is difficult became common property in a very short time. Lehár's masterpiece easily unites questions of money and love, political satire and the struggle of a self-determined heroine for the man she wants.

Director Michael Schilhan already impressed people in Chemnitz with his productions The Magic Flute and Emil and the Detectives . Now he will trace the corrupt and cheerful diplomats. Anyone who walks through life with alert eyes like Schilhan knows: Pontevedro is everywhere and Grünbaum's bon mot is timelessly up-to-date.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam