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State Opera Berlin

Direttore d'orchestra

Alexander Soddy

Regia

Andrea Moses

Scenografia

Jan Pappelbaum

Costumi

Adriana Braga Peretzki

Luci

Luci (+1)

Olaf Freese

Baritono (+3)

Christopher Maltman

Hans Sachs

Basso (+4)

Christof Fischesser

Veit Pogner

Soprano (+2)

Hanna-Elisabeth Müller

Tenore

Klaus Florian Vogt

Walther von Stolzing

Siyabonga Maqungo

David

Mezzosoprano (+2)

Katharina Kammerloher

Magdalena

Tenore (+3)

Andrés Moreno García

Kunz Vogelgesang

Baritono (+2)

Jaka Mihelač

Konrad Nachtigall

Baritono (+8)

Johannes Martin Kränzle

Sixtus Beckmesser

Basso (+7)

Jan Martinik

Fritz Kothner

Tenore (+4)

Siegfried Jerusalem

Balthasar Zorn

Paul McNamara

Ulrich Eisslinger

Tenore (+2)

Florian Hoffmann

Augustin Moser

Basso-baritono (+3)

David Oštrek

Hermann Ortel

Basso (+6)

Kurt Rydl

Hans Schwarz

Baritono (+1)

Olaf Bär

Hans Foltz

Basso (+2)

Friedrich Hamel

Un guardiano notturno

Orchestra

Staatskapelle Berlin

Chorus

Staatsopernchor Berlin

Staatsoper Unter den Linden

When Richard Wagner first developed ideas for the "Meistersingers of Nuremberg" in the mid-1840s, he had no intention of writing a monumental "festival opera." This work was intended to be a light-hearted comedy, a cheerful and humorous satirical play, to be placed alongside his "Tannhäuser," since both works focus on reflections on art and artists. More than two decades later, a score was produced that is one of the most extensive and complex in the entire repertoire and has sparked quite controversial discussions.

The soloists and the choir, but above all the large orchestra, unfold an extraordinary splendor of sound - this can be felt immediately in the prelude to the first act with its C major brilliance and its great upswings full of power and brightness, but also in the final scene on the "festival meadow", in which literally everything that seems conceivable on an opera stage is brought to life. But it is not only the sheer overwhelming presence of sound that is astonishing, but also the immensely high level of compositional technique that Wagner has put into practice here, which proves to be just as impressive in the lyrical, internalized passages. Since the triumphant Munich premiere in June 1868, the "Meistersinger" have been one of the pillars of European musical theater - as a work that demonstrates what is possible in opera (or musical drama) beyond the everyday life of the stage.

Die Meistersinger von Nürnberg (I Maestri Cantori di Norimberga), Wagner, Richard

Cast

Hans Sachs

Veit Pogner

Eva

Walther von Stolzing

David

Magdalena

Kunz Vogelgesang

Konrad Nachtigall

Sixtus Beckmesser

Fritz Kothner

Balthasar Zorn

Ulrich Eißlinger

Augustin Moser

Hermann Ortel

Hans Schwarz

Hans Foltz

Ein Nachtwächter

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