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Theater Bonn

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Aron Stiehl

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André Kellinghaus

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Tobias Schabel

Hans Sachs

Pavel Kudinov

Veit Pogner

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Konrad Nachtigall

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Joachim Goltz

Sixtus Beckmesser

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Fritz Kothner

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Balthasar Zorn

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Hans Foltz

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Mirko Roschkowski

Walther von Stolzing

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Manuel Günther

David

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Anna Princeva

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Dshamilja Kaiser

Magdalena

Basso

Juhwan Cho

Un guardiano notturno

Gaston Efficace

Lehrbuben

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Matthieu Segui

Tenore (+2)

Eetu Joukainen

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Alicia Grünwald

Mezzosoprano (+1)

Pauline Asmuth

Verena Kronbichler

Julia Werner

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Choir of the Bonn Theater

Extrachor des Theater Bonn

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Extras of the Theater Bonn

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Beethoven Orchester Bonn

Opernhaus

Hans-Georg Priese

Augustin Moser

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Ralf Rachbauer

Kunz Vogelgesang

Samuel Levine

Ulrich Eisslinger

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Leon Juurlink

Tianji Lin

Paul Skalicki

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Okarina Peter

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Timo Dentler

Luci

Max Karbe

Jorge Delgadillo

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Polina Sandler

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Sabine Arthold

Assistente alla regia

Alma Gentile

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Direttore d'orchestra

Hermes Helfricht

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Scenografia (+1)

Ansgar Baradoy

Assistente costumista

Assistente scenografo (+2)

Margarita Bock

Ján Rusko

Direttore d'orchestra (+2)

Dirk Kaftan

How does one recognize a good song? Who decides on what basis it is to be judged?  Do you go by the opinion of the old masters, who insist that their own rules be followed to the letter, or by what you feel deep down in your heart, maybe a feeling of passionate love that you believe to contain some immediate truth? Is there perhaps a golden mean?

Three men from different generations attempt in a singing contest to win over Eva’s heart: but she has made up her mind from the start which one of the three she prefers. By way of a series of lucky and unlucky turns of event, by way of some deception and cunning and finally at the end of the opera by way of a fair competition the fitting lovers find each other. Only their future is open: how to deal with the past and who will define the new rules of the game?

Despite the Nazi regime‘s improper ideological appropriation of the title, this opera remains one of the most successful and beloved Wagner works in opera houses today, because it enables, beyond the obvious, various levels of interpretation. The 1868 original premiere idealizes the bourgeoisie as a class with their own democratic values and principles of achievement and makes fun of conformists and opportunists. It also concerns itself with the question of readiness to compromise and how to integrate the best innovation in the existing system. In Aron Stiehl’s staging the work will be a gigantic festive spectacle in which comical scenes counterbalance on a par the more serious scenes.

tedesco

Die Meistersinger Von Nürnberg

Bonn

Germania

Die Meistersinger Von Nürnberg: Die Meistersinger von Nürnberg Wagner, Richard

Scenica

Opera

I Maestri Cantori di Norimberga

Saileshwaran Thirumurthy

inglese

This is "MEISTERSINGER-Trailer" by Theater Bonn on Vimeo, the home for high quality videos and the people who love them.

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