Name: Die sieben Todsünden
Start: 2020-11-21T00:00:00.000Z
End: 2020-11-21T00:00:00.000Z
Location: Playhouse

Organization

Chanteur

Soprano

Wallis Giunta

Anna I

Basse

Dean Robinson

Mère

Ténor

Campbell Russell

Père

Stuart Laing

Frère I

Baryton

Nicholas Butterfield

Frère II

Danse

Shelley Eva Haden

Anna II

Mise en scène

Gary Clarke

Direction d'orchestre

James Holmes

Costumes

George Johnson-Leigh

Décors

Stephen Rodwell

Video

Jonathan Haswell

Opera North

Orchestra

Orchestra of Opera North

anglais

Die sieben Todsünden -  (Les Sept Péchés capitaux)

Leeds

Royaume-Uni

Meet Anna and Anna: one person, two personalities. Sent away for seven years to make money for their struggling family, they journey between seven cities from Philadelphia to San Francisco, and encounter Sloth, Pride, Wrath, Gluttony, Lust, Greed and Envy on the way. As they do, they dance, sing, argue and withstand the sardonic commentary of their family.

Written and premiered in Paris in 1933, The Seven Deadly Sins was to be the final collaboration between the composer Kurt Weill and the playwright Bertolt Brecht. They had scored a huge hit together with The Threepenny Opera in 1928, but their relationship soured as they worked towards the premiere of The Rise and Fall of the City of Mahagonny in 1930. Brecht always felt that Weill was too much the dreamer and that his music needed words to make it relevant and practical. So the piece can be seen as a perfect metaphor for the fractured state of their relationship. It also functions on many other levels: as a critique of capitalism, of the church and of the way that women are treated in this society.

Streamed on OperaVision on 8 April 2022 at 19:00 CET and available until 8 October 2022: https://operavision.eu/en/library/per...

CAST

Anna I: Wallis Giunta
Anna II: Shelley Eva Haden
Father: Campbell Russell
Brother: Stuart Laing
Mother: Dean Robinson
Brother: Nicholas Butterfield
Orchestra: Orchestra of Opera North

Music: Kurt Weill
Text: Bertolt Brecht, English translation by Michael Feingold
Conductor: James Holmes
Director: Gary Clarke
Set Designer: George Johnson-Leigh
Costume Designer: George Johnson-Leigh, Stephen Rodwell
Lighting Designer: Mike Lock
Video Producer: Jonathan Haswell
By arrangement with Schott Music Ltd agent for The Kurt Weill Foundation for Music and the heirs of Bertolt Brecht.

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Playhouse

Die sieben Todsünden Weill

Public

Les Sept Péchés capitaux

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Contre-ténor

Mezzo-soprano

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

The Seven Deadly Sins | Livestream trailer

The Seven Deadly Sins: A chat with the cast and creative team...

Meet Anna and Anna: one person, two personalities. Sent away for seven years to make money for their struggling family, they journey between seven cities from Philadelphia to San Francisco, and encounter Sloth, Pride, Wrath, Gluttony, Lust, Greed and Envy on the way. As they do, they dance, sing, argue and withstand the sardonic commentary of their family.

 

Written and premiered in Paris in 1933, The Seven Deadly Sins was to be the final collaboration between the composer Kurt Weill and the playwright Bertolt Brecht. They had scored a huge hit together with The Threepenny Opera in 1928, but their relationship soured as they worked towards the premiere of the Rise and Fall of the City of Mahagonny in 1930. Brecht always felt that Weill was too much the dreamer and that his music needed words to make it relevant and practical. So the piece can be seen as a perfect metaphor for the fractured state of their relationship. It also functions on many other levels: as a critique of capitalism, of the church and of the way that women are treated in this society.

English

Les Sept Péchés capitaux by Weill, sam. 21 nov. 2020, Du (2020/2020), Dirigé par Gary Clarke,, Chef d'orchestre James Holmes, Playhouse, Leeds, Royaume-Uni

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles