Name: Die tote Stadt
Start: 2010-02-27T00:00:00.000Z
End: 2010-06-13T00:00:00.000Z
Location: Musiktheater im Revier

Organization

Śpiewak

Baryton

Bjørn Waag

Frank

Fritz

Tenor

Burkhard Fritz

Paul

Norbert Schmittberg

Singer

Majken Bjerno

Marietta

Richetta Manager

Mezzosopran

Anna Agathonos

Brigitta

Anke Sieloff

Sopran

Alfia Kamalova

Juliette

Lucienne

Lars Rühl

Victorin

William Saetre

E. Mark Murphy

Graf Albert

Dyrygent

Heiko Mathias Förster

Reżyseria

Thilo Reinhardt

Scenografia

Wilfried Buchholz

Kostiumy

Gisa Kuhn

Przygotowanie chóru

Christian Jeub

Dramaturgia

Juliane Schenk

Rasmus Baumann

Musiktheater im Revier

Die tote Stadt

Gelsenkirchen

Niemcy

Die tote Stadt Korngold

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Kontralt

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Paul lives in his home in Bruges solely in memory of his late wife Marie. Everything changes when he meets the dancer Marietta, in whom he believes he sees a rebirth of Marie. As she leaves him for a rehearsal of her theater company, Paul sees the deceased Marie stepping out of the painting. Moments later, Marietta is standing in front of him again. She then spends the night with him at his house. The next morning, during a procession passing in front of the house, she asks him to kiss her and provokes him. Paul lunges at her and strangles her. Then he wakes up and realizes how deceptive it is to substitute a dream for reality. He will leave Bruges, the dead city.
Knapp über zwanzig Jahre alt war Erich Wolfgang Korngold, hoch gepriesenes Wunderkind, als er 1920 dieses einzigartige Werk schrieb. Im amerikanischen Exil erhielt er für eine seiner Filmmusiken einen Oscar, doch seine Opern fanden im Europa der 1940er Jahre keine rechte Bleibe mehr. Ihm wurde vorgeworfen, er sei ein verwegener Spätromantiker mit Puccini- oder Strauss-Anstrich. Das Gegenteil ist der Fall. In einer expressiven, präzis strukturierten Partitur schafft Korngold die waghalsige Gratwanderung, eine erotische Phantasmagorie mit einer einprägsamen Studie eines verzweifelten einsamen Menschen zu vereinen. Und er erzählt am Ende eine Hinwendung zum Leben – ein ungewöhnlicher wie faszinierender Opernschluss.

Deutsch

Paul lives in his home in Bruges solely in memory of his late wife Marie. Everything changes when he meets the dancer Marietta, in whom he believes he sees a rebirth of Marie. As she leaves him for a rehearsal of her theater company, Paul sees the deceased Marie stepping out of the painting. Moments later, Marietta is standing in front of him again. She then spends the night with him at his house. The next morning, during a procession passing in front of the house, she asks him to kiss her and provokes him. Paul lunges at her and strangles her. Then he wakes up and realizes how deceptive it is to substitute a dream for reality. He will leave Bruges, the dead city.
Erich Wolfgang Korngold, the highly praised child prodigy, was just over twenty years old when he wrote this unique work in 1920. In American exile he received an Oscar for one of his film scores, but his operas found no real home in Europe in the 1940s. He was accused of being a daring late romantic with a Puccini or Strauss touch. The opposite is the case. In an expressive, precisely structured score, Korngold manages to walk the daring tightrope of uniting an erotic phantasmagoria with a memorable study of a desperate, lonely person. And at the end he tells a turning to life - an unusual and fascinating opera ending.

English

Die tote Stadt by Korngold, sob 20 mar 2010, od (2010/2010), W reżyserii Thilo Reinhardt,, Dyrygent Heiko Mathias Förster, Rasmus Baumann, Musiktheater im Revier, Gelsenkirchen, Niemcy

Udział w spektaklu (Obsada & realizacja )

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Załoga

Program, informacje i streszczenie

Zdjęcia

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Daty i miejsca występów

Miejsca