Organization

Regie

Daniel Slater

Dirigat

Oliver von Dohnányi

Lichtgestaltung

Evgeny Vinogradov

Kostümbild

Francis O'Connor

Bühnenbild

Chordirektion

Angelica Grozina

Sänger

Tenor

Sergey Osovin

Tamino

Evgeny Kryukov

Vladimir Cheberyak

Bariton

Alexey Semenischev

Pagageno

Dmitry Starodubov

Maksim Shlykov

Sopran

Victoria Novikova

Ein Mädchen

Olga Semenishcheva (Peshkova)

Olga Starodubova (Tenyakova)

Darya Leus (Tamarova)

Königin der Nacht

Olga Vutiras

Natalia Mokeeva

Bass

Vladislav Troshin

Sarasto

Vladislav Popov

Garry Agadzhanyan

Anton Perminov

Olesya Stepanova

Ein altes Weib

Saule Antysheva

Luiza Zhuleva

Yana Mikheeva

Vitaly Petrov

Monostatos

Aleksandr Kulga

Mikhail Korobeinikov

Sprecher

Andrey Reshetnikov

Viacheslav Shumov

Erster Priester

Vladimir Voroshnin

Erste Dame

Olesya Nemtseva

Ksenia Kovalevskaya

Zweite Dame

Natalia Karlova

Nadezhda Ryzhenkova

Dritte Dame

Tatiana Nikanorova

Yuri Volkov

Erster Geharnischter

Anatoly Shliman

Mikhail Morozov

Zweiter Geharnischter

Aleksandr Lepihin

Kinderstimme

Yulia Filimonova

Erster Knabe

Irina Krasheninnikova

Zweiter Knabe

Maria Orlova

Dritter Knabe

Artem Abashev

Konstantin Chudovsky

Pavel Mezhov

Sprechrolle

Zweiter Sklave

Ural Opera Ballet

Elena Nakishova

Choreographie

Igor Bulytsyn

Assistant Director

Yaroslavia Kalesidis

Leitender Produzent

Anna Demchinskaya

Assistant Conductor

Ivo Meinen

Deutsch

Russisch

Die Zauberflöte

Ekaterinburg

Russland

Ekaterinburg Opera

Die Zauberflöte Mozart

Public

Private

Genehmigt

The Magic Flute is not exactly an opera. It is a singspiel or in other words, a play with singing in German – an entertainment genre, extremely popular during Mozart's time. Its vocal performances coexist with sustained conversational parts: Sometimes a singspiel is called a musical of the 18th century. It allows for presenting a fantastic story – with machine effects and all theatrical magic. It is a fantastic and fairy tale story that Emanuel Schikaneder, the entrepreneur and librettist, offered to Mozart.

British directors have come up with The Magic Flute in the steampunk style for the Ural Opera. This word comes from the English "steam". At the end of the 20th century, the steampunk became a genre of science fiction: the Victorian England of the 1850’s; people rave about the scientific progress that will lead humanity to the eternal bless; the industrial boom has started in the world, labyrinths of pipelines are arranged everywhere, steam engines and fantastic mechanisms are in operation.

All of this has formed an unexpected theme with the outline of the story for The Magic Flute, where Tamino, the main character, literally undergoes fiery trial, water and copper pipes (Russian idiom, meaning "go through thick and thin") for the sake of happiness with his beloved Pamina. To prevent the viewer from being distracted from the action for even a moment, Daniel Slater, the director, has rewritten conversational dialogues and Aleksandr Cherepanov, the artist from Yekaterinburg, has drawn the accompanying comic action.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam