Organization

Regia

Daniel Slater

Direzione d'orchestra

Oliver von Dohnanyi

Luci

Evgeny Vinogradov

Costumi

Francis O'Connor

Scenografia

Direzione del coro

Angelica Grozina

Cantante

Tenore

Sergey Osovin

Tamino

Evgeny Kryukov

Vladimir Cheberyak

Baritono

Alexey Semenischev

Papageno

Dmitry Starodubov

Maksim Shlykov

Soprano

Victoria Novikova

Pamina

Olga Semenishcheva (Peshkova)

Olga Starodubova (Tenyakova)

Darya Leus (Tamarova)

Regina della Notte

Olga Vutiras

Natalia Mokeeva

Basso

Vladislav Troshin

Sarastro

Vladislav Popov

Garry Agadzhanyan

Anton Perminov

Olesya Stepanova

Papagena

Saule Antysheva

Luiza Zhuleva

Yana Mikheeva

Vitaly Petrov

Monostatos

Aleksandr Kulga

Mikhail Korobeinikov

Oratore

Andrey Reshetnikov

Viacheslav Shumov

Primo sacerdote

Vladimir Voroshnin

Prima dama

Olesya Nemtseva

Ksenia Kovalevskaya

Seconda dama

Natalia Karlova

Contralto

Nadezhda Ryzhenkova

Terza dama

Tatiana Nikanorova

Yuri Volkov

Primo armigero

Anatoly Shliman

Mikhail Morozov

Secondo armigero

Aleksandr Lepihin

Voce bianca

Yulia Filimonova

Primo fanciullo

Irina Krasheninnikova

Secondo fanciullo

Maria Orlova

Terzo fanciullo

Artem Abashev

Konstantin Chudovsky

Pavel Mezhov

Narrazione

Secondo schiavo

Ural Opera Ballet

Elena Nakishova

Coreografia

Igor Bulytsyn

Assistant Director

Yaroslavia Kalesidis

Produzione esecutiva

Anna Demchinskaya

Assistant Conductor

Ivo Meinen

tedesco

russo

Die Zauberflöte -  (Il flauto magico)

Ekaterinburg

Russia

Ekaterinburg Opera

Die Zauberflöte Mozart

Public

Private

Il flauto magico

Approvato

The Magic Flute is not exactly an opera. It is a singspiel or in other words, a play with singing in German – an entertainment genre, extremely popular during Mozart's time. Its vocal performances coexist with sustained conversational parts: Sometimes a singspiel is called a musical of the 18th century. It allows for presenting a fantastic story – with machine effects and all theatrical magic. It is a fantastic and fairy tale story that Emanuel Schikaneder, the entrepreneur and librettist, offered to Mozart.

British directors have come up with The Magic Flute in the steampunk style for the Ural Opera. This word comes from the English "steam". At the end of the 20th century, the steampunk became a genre of science fiction: the Victorian England of the 1850’s; people rave about the scientific progress that will lead humanity to the eternal bless; the industrial boom has started in the world, labyrinths of pipelines are arranged everywhere, steam engines and fantastic mechanisms are in operation.

All of this has formed an unexpected theme with the outline of the story for The Magic Flute, where Tamino, the main character, literally undergoes fiery trial, water and copper pipes (Russian idiom, meaning "go through thick and thin") for the sake of happiness with his beloved Pamina. To prevent the viewer from being distracted from the action for even a moment, Daniel Slater, the director, has rewritten conversational dialogues and Aleksandr Cherepanov, the artist from Yekaterinburg, has drawn the accompanying comic action.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo