Organization

Sänger

Tenor

Seungjick Kim

Tamino

Bariton

Matthias Hoffmann

Pagageno

Miljenko Turk

Sopran

Kathrin Zukowski

Ein Mädchen

Rainelle Krause

Königin der Nacht

Gloria Rehm

Maike Raschke

Ein altes Weib

Ján Rusko

Monostatos

Martin Koch

Zweiter Priester

Regina Richter

Zweite Dame

Anja Schlosser

Dritte Dame

John Heuzenroeder

Erster Geharnischter

Bass

Sung Jun Cho

Zweiter Geharnischter

Lichtgestaltung

Andreas Grüter

Kostümbild

Germán Droghetti

Darko Petrovic

Bühnenbild

Videogestaltung

Thomas Reimer

Chordirektion

Rustam Samedov

Dramaturgie

Tanja Fasching

Adaptation of stage

Lucas Singer

Sarasto

Ante Jerkunica

Ye Eun Choi

Luzia Tietze

Lotte Verstaen

Michaela Schneider

Erste Dame

Anna Malesza-Kutny

Stefan Hadžić

Sprecher

Erster Priester

Tobias Haaks

Dirigat

Duncan Ward

Rainer Mühlbach

Regie

Michael Hampe

Oliver Zwarg

Oper Köln

Others

Children's Opera Choir of the Dortmund Choir Academy

CHORUS OF THE COLOGNE OPERA

Orchestra

Gürzenich - Orchester Köln

Knabenchor der Chorakademie Dortmund

Deutsch

Die Zauberflöte

Köln

Deutschland

Staatenhaus Köln

Saal 1

Die Zauberflöte Mozart

Public

Genehmigt

Michael Hampe: “Of course, the political implications of that time cannot be applied directly to our time. But one can point out the main concern of this work, which contains the great utopia of the entire 18th century, which is still valid today: that power and justice be united. That 'tested, just princes' exercise power. Against the background of today's political world situation, one can hardly question the current significance of this utopia. The utopia of adding justice to power presupposes, of course, a general awareness of the idea of ​​'Liberty-Equality-Brotherhood', that is, a progressive force widely spread among the people - in the service of enlightenment. The Freemasons in Mozart's Vienna basically represented the ideals of the French Revolution - 'Liberté, Egalité, Fraternité' - but evolutionarily, without the guillotine, so to speak, and these ideals Mozart and Schikaneder brought to the stage.”

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble