Organization

Dyrygent

Wolfgang Sawallisch

Reżyseria

August Everding

Scenografia

Jürgen Rose

Kostiumy

Śpiewak

Kurt Moll

Sarastro

Sopran

Edita Gruberová

Królowa Nocy

Tenor

Francisco Ariza

Tamino

Baryton

Wolfgang Brendel

Papageno

Gudrun Sieber

Papagena

Pamela Coburn

Pierwsza Dama

Daphne Evangelatos

Druga Dama

Kontralt

Cornelia Wulkopf

Trzecia Dama

Jan-Hendrik Rootering

Mówca

Norbert Orth

Monostatos

Bayerische Staatsoper

Orchestra

Bayerisches Staatsorchester

niemiecki

Die Zauberflöte -  (Czarodziejski flet)

Monachium

Niemcy

Prince Tamino is threatened by a snake. The three ladies of the Queen of the Night kill the monster and, on behalf of their mistress, give Tamino a portrait of Pamina, with which he immediately falls in love. Now the Queen of the Night herself appears, lamenting her suffering as a mother because Sarastro stole her daughter Pamina. She promises Tamino to marry Pamina if he frees her. The bird catcher Papageno is chosen to accompany Tamino.

In Sarastro's Temple of Wisdom, the two find Pamina, who immediately falls in love with Tamino. A priest informs Tamino of Sarastro's intention to remove Pamina from the queen's evil influence. Sarastro recognizes the love of the two young prince children; but before they are allowed to be in couple, they are to undergo a severe test of their love and virtue. The couple may walk the last part of the exam path together. With the help of the magic flute, Tamino and Pamina pass through fire and water and enter the temple cleansed. The Queen of the Night is thrown into eternal darkness amid thunder and lightning, while the new couple is solemnly admitted into the circle of initiates.

"Don't forget the seriousness and don't forget the humor", is how August Everding summed up the intention of his production, which premiered on August 30, 1978 at the Bavarian State Opera in Munich. He didn't want The Magic Flute to be too philosophical or too burlesque. He wanted to combine everything that the work contained in contradictions: fairy tale magic, fun, cheerfulness, depth of thought, ideas of humanity. Above all, however, he did not want to bore the audience with constant rearranging when the curtain was closed and did not want to tear up Mozart's opera into individual pieces. So he was looking for a concept to keep the scenic flow going before and after the break without interruption. In order to realize this, Jürgen Rose largely stuck to the painterly: painted prospects, painted architecture. what you get to see

Die Zauberflöte Mozart

Public

Czarodziejski flet

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Mezzosopran

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Czarodziejski flet by Mozart, pon 01 sie 1983, od (1983/1983), W reżyserii August Everding,, Dyrygent Wolfgang Sawallisch

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca