A flauta mágica by Mozart, sab 17 fev 2018, De (2017/2018), Dirigido por Maria Sartova, Regente Marcin Sompoliński, Łukasza Sidoruka, Teatr Muzyczny w Lublinie (Opera Lubelska), Lublin, Polônia

September 30, 1791 – the Viennese audience heard the sounds of Wolfgang Amadeus Mozart's overture to Zauberflöte for the first time. Despite the fact that the premiere did not resonate with the critics of the time, the work immediately won the hearts of viewers, not only Austrian ones. Two months before his death, Mozart introduced the world to an opera that was to go down in the history of theater forever. This was, of course, due to the masterful music, but The Magic Flute means more today than just the last opera of a genius. It is also a timeless work full of subtle symbolism referring to human nature and culture, hiding the deepest truths about man in various shades of mysticism and fantasy. The time has come for the audience of Lublin to experience the meeting with the Master and the special creations he outlined musically. Summary of the Libretto Emanuel Schikaneder based the libretto of The Magic Flute on the basis of Christof Martin Wieland's fairy tale Lulu or The Magic Flute. The core of the plot, however, was heavily enriched with threads of a philosophical, or more precisely, ethical nature. Both authors, Mozart and Schikaneder, sat in a Masonic lodge, which is why in The Magic Flute Masonic themes come to the fore, which Schikaneder entwined into a funny but moralizing plot construction, and Mozart supplemented one of the most elaborate in the history of opera with a musical layer.