Organization

Direttore d'orchestra

Markus Lukas Frank

Regia

Regia (+1)

Johannes Weigand

Luci

Miriam Damm

Costumi

Judith Fischer

Coreografia

Libretto (+5)

Stefano Giannetti

Direzione del coro

Direzione del coro (+2)

Sebastian Kennerknecht

Basso (+5)

Claudius Muth

Oratore

Primo sacerdote

Secondo armigero

Soprano

Marie-Pierre Roy

Regina della Notte

Soprano (+2)

Ania Vegry

Pamina

Sarah Cossaboon

Prima dama

Cantante (+4)

Roman Weltzien

Papageno

Soprano (+1)

Natasha Sallès

Papagena

Tenore (+4)

David Ameln

Monostatos

Anhaltisches Theater Dessau

Basso (+3)

Michael Tews

Sarastro

Scenografia

Scenografia (+2)

Hermann Feuchter

Baritono (+2)

Chang Hyun Kim

Secondo sacerdote

Yirin Kim

Seconda dama

Mezzosoprano (+4)

Rita Kapfhammer

Terza dama

Tenore

Costa Latsos

Tamino

Elisa Gogou

Drammaturgo

Felix Losert

Basso (+1)

Dongwon Kang

Primo armigero

Orchestra

Anhaltische Philharmonie Dessau

Chorus

Opernchor des Anhaltischen Theaters Dessau

Tenore (+3)

Jeffrey Nardone

Mezzosoprano (+2)

Sandra Maxheimer

Helena Köhne

Anhaltisches Theater

Tamino accepts the order from the Queen of the Night to free her kidnapped daughter Pamina. As a thank you, Tamino is to marry Pamina, with whose picture he has fallen in love. Accompanied by the whimsical bird catcher Papageno, who is also looking for a bride, Tamino makes his way to Prince Sarastro, the kidnapper. Tamino soon found his beloved and is loved again. But Sarastro thwarts the escape. However, the prince turns out to be not the violent villain described by the queen, but a wise ruler. He predicts that Pamina and Tamino are made for each other. Instead of punishing the two for attempting to escape, Sarastro puts trials on them. They should make sacrifices and survive dangers of death. Pass the exams Sarastro would like to include her in the circle of his initiates. The Queen of the Night sees herself betrayed and demands that Pamina kill Sarastro. But Pamina has now also gained confidence in Sarastro. Tamino faces the trials with his companion Papageno. He does not receive the highest orders, but his bride Papagena does. Tamino and Pamina, on the other hand, achieve their goal and become a couple.

The Magic Flute has been captivating people of all ages for 231 years . This musical theater fairy tale about the victory of love and wisdom over intrigue and power thinking appeals to audiences across the ages. You can get over the logical breaks or the very time-bound characterizations of the characters that the theater entrepreneur Emanuel Schikaneder put on paper. All the more so since the music lifts the magic fairy tale out of its time: Mozart unfolds the unbelievable richness of his imagination in order to let the fairy tale characters become human beings in song.