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Opera Nova w Bydgoszczy

Regia

Matthias Remus

Scenografia

Scenografia (+1)

Stephan Dietrich

Direttore d'orchestra

Direttore d'orchestra (+1)

Dirk Vermeulen

Soprano (+2)

Victoria Vatutina

Pamina

Soprano (+1)

Julia Pruszak-Kowalewska

Magdalena Czerwińska

Tenore (+3)

Szymon Rona

Tamino

Tenore (+1)

Łukasz Załęski

Tenore (+2)

Krzysztof Zimny

Basso (+3)

Jacek Greszta

Sarastro

Łukasz Jakubczak

Joanna Moskowicz

Regina della Notte

Soprano

Aleksandra Olczyk

Baritono (+2)

Sławomir Kowalewski

Papageno

Bartłomiej Kłos

Łukasz Seremet

Monostatos

Basso (+5)

Jakub Zarębski

Katarzyna Nowak-Stańczyk

Prima dama

Marta Ustyniak-Babińska

Hanna Okońska

Mezzosoprano (+2)

Aleksandra Gudzio

Seconda dama

Mezzosoprano (+1)

Aleksandra Pliszka

Simona Skrebutėnaitė

Małgorzata Ratajczak

Terza dama

Mezzosoprano (+3)

Dorota Sobczak

Basso-baritono (+3)

Lukasz Goliński

Oratore

Basso-baritono (+4)

Janusz Żak

Primo armigero

Basso

Michał Błoński

Secondo armigero

Adam Łyczbiński

Orchestra

Opera Nova Orchestra

Chorus

Opera Nova Chorus

Direzione del coro

Direzione del coro (+2)

Wierzchoń Henryk

Nazarii Kachala

Voce bianca (+1)

Aleksandra Zając

Primo fanciullo

Aneta Nurcek

Katarzyna Wardak

Natalia Bukowska

Oliwia Filipczak

Secondo fanciullo

Patrycja Konfederak

Paulina Grabarz-Szmajda

Weronika Kober

Terzo fanciullo

Weronika Wojtkowska

Zofia Skowron

Opera Nova

Darina Gapitch

Magdalena Polkowska

Papagena

Dorota Nowak

The Dumbbell, KV 620.

The action of the poetic and at the same time emotional libretto with a deep humanistic message takes place in the scenographic space of a large library: the seat of Knowledge, Power, Beauty. It is here that the characters learn the truth about themselves, their ability to sacrifice, overcome life's difficulties, fear of others... 

Esoteric and childish, sublime and facetious, learned and ludic ... The Magic Flute draws on medieval legends, fairy tales, fascinations with Egyptian mythology. Arias, duets, trios, quartets, quintets, choirs and group scenes intertwine constantly. Each of these moments has its own distinct character, mood, type of orchestra, melody. The libretto is a fairy tale, a morality tale, a comedy, a mystery.

Foto