Organization

Libretto

Joseph Méry

Camille du Locle

Cantante

Basso

Alex Esposito

Filippo II

Tenore

Robert Watson

Don Carlo

Soprano

Nicole Car

Elisabetta di Valois

Mezzosoprano

Yulia Matochkina

La Principessa Eboli

Albert Pesendorfer

Il Grande Inquisitore

Andrew Harris

Un Frate

Gideon Poppe

Un Araldo reale

Il Conte di Lerma

Valeriia Savinskaia

Voce dal cielo

Sam Park

Padraic Rowan

Tyler Zimmerman

Philipp Jekal

Byung Gil Kim

Regia

Marco Arturo Marelli

Direzione d'orchestra

James Gaffigan

Luci

Costumi

Dagmar Niefind-Marelli

Scenografia

Direzione del coro

Jeremy Bines

Deutsche Oper Berlin

italiano

Don Carlo (Italian version) -  (Don Carlo (versione italiana))

Berlino

Germania

Don Carlo Verdi

Public

Don Carlo (versione italiana)

tedesco

inglese

Approvato

It is common knowledge that Giuseppe Verdi, by nature a critical man, not only found much to disapprove of in the trends of his day but also subjected his own work to a continuous process of editing and revision.


Verdi began writing the opera in 1865, and twenty years were to pass before the premiere in Milan of the four-act version that we are most familiar with today. The composer not only wrestled with the two languages of the piece, each with its distinctive form of expression. He was also at pains to achieve the best possible result by repeatedly cutting, reducing and rearranging. The opera, extensive sections of which are faithful to Schiller’s play, went through no less than seven versions.

In none of the opera’s characters does the light of reason sparkle. Prisoners of their situations, prisoners of their own reins of control and of their own making, above all prisoners of a deadly, ever-looming spiritual power greater even than secular hegemony… Verdi captures the essential helplessness of human beings entangled in this network of terror: at best, death brings release.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo