Name: Don Carlos (French version)
Start: 2017-10-19T00:00:00.000Z
End: 2018-07-31T00:00:00.000Z
Location: State Opera Stara Zagora

Admin

Organization

Singer

Bass

Julian Konstantinov

Philip II

Plamen Kumpikov

Tenor

Ivan Mojrov

Don Carlos

Kałudi Kałudow

Baritone

Alexandar Krunev

Marquis of Posa

Cyril Rovery

Dimitar Stanchev

The Grand Inquisitor

Soprano

Velina Bozhilova

Elizabeth of Valois

Zvetelina Vassileva

Mezzo-soprano

Mirouslava Yordanova

Princess Eboli

Sanja Anastasia

Vesselina Kasarova

Aleksandar Marulev

A monk

Evgeniy Arabazhiev

Peter Kunev

Conductor

Ivailo Krinchev

Stage director

Slavcho Nikolov

Costume designer

Tsvetanka Petkova-Stoynova

Set designer

Todor Demerov

Yanitsa Nesheva

Thibault

Desi Stefanova

Heavenly Voice

Ivaylo Yovchev

The Count of Lerma

Silent

Neli Necheva

Countess of Aremberg

State Opera Stara Zagora

Others

Choir of the Stara Zagora State Opera

Orchestra

State Opera Stara Zagora Orchestra

itāļu

Don Carlos (French version)

Stara Zagora

Bulgaria

Don Carlos Verdi

Public

bulgāru

Approved

The production is based on the last edition of Giuseppe Verdi, created at the end of his creative journey. The great Italian composer worked throughout his life on the work of Friedrich Schiller. Italian society in the 19th century was particularly sensitive to the themes of national self-determination, freedom and justice. Giuseppe Verdi created four versions of the opera, finally returning the scene to the forest of Fontainebleau so that the main conflict could be clarified. The directorial decision grounds the characters and presents their human face - each with their emotions, hesitations and contradictions. The scenography is frugal and clean, using the possibilities of the spectacular lighting.

English

Постановката е върху последната редакция на Джузепе Верди, създадена в края на творческия му път. Великият италиански композитор работи през целия си живот върху творбата на Фридрих Шилер. Италианското общество през 19 век е особено чувствително към темите за национално самоопределение, свобода и справедливост. Джузепе Верди създава четири версии на операта, като накрая връща сцената в гората на Фонтенбло, за да може да се изясни основния конфликт. Режисьорското решение приземява героите и представя човешкото им лице – всеки със своите емоции, колебания и противоречия. Сценографията е пестелива и изчистена, като се ползват възможностите на ефектното осветление.

български

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Lomās

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