Name: Don Giovanni
Start: 2018-02-08T00:00:00.000Z
End: 2018-02-08T00:00:00.000Z
Location: Slovak National Theatre New Building

Organization

Conductor

Ondrej Olos

Stage director

Jozef Bednárik

Set designer

Vladimír Čáp

Costume designer

Ludmila Várossová

Choreographer

Jaroslav Moravčík

Chorus master

Ladislav Kaprinay

Singer

Baritone

Pavol Remenár

Don Giovanni

Soprano

Petra Šimková

Donna Anna

Tenor

Juraj Hollý

Don Ottavio

Bass

Jozef Benci

Commendatore

Adriana Kohútková

Donna Elvira

Peter Kellner

Leporello

Martin Mikuš

Masetto

Jana Jurícková

Zerlina

Miloslav Krajčík

Butler

Slovak National Theatre

olasz

Bratislava

Slovakia

Slovak National Theatre New Building

Don Giovanni Mozart

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Opera opera. This is how experts tend to call this work Mozart's mature genius from the last years of the master's life. What is its uniqueness? After all, the story itself - a relatively simple story of a fornicator persecuted by the victims of his passions - does not a priori presuppose the creation of an opera that should be written in history of this kind in golden letters!

If we are extremely interested in Don Giovanni , it is above all for the perfect connection of the musical language with the needs and challenges that the depicted story posed to the composer. Although Mozart does not deviate in any way from the classicist compositional style, although he does not in any way disrupt the strict stylistic "rule", he nevertheless gives the work a clear mark of originality, using all positions of musical language as a means of drawing characters and relationships. The author seems to consistently project musical material onto another medium - the surface of the subject - and every singing decoration, every harmony of voices in the ensembles, every change of tempo (and so on and so forth ...) justifies, fulfills, lets "soak" the dramatic meaning. And so, although we are used to interpreting the history of opera in their chronological sequence, Don Giovanni(as, after all, all the phenomenal works of art) seem to get out of time and space - and with a fascinating connection of music with non-musical meanings, it boldly competes with the best musical dramas of all periods and provenances!

English

Don Giovanni by Mozart, csüt 08 feb 2018, -tól (2018/2018), Rendezte Jozef Bednárik,, Karmester Ondrej Olos, Slovak National Theatre New Building, Bratislava, Slovakia

Előadás kreditek (Szereplők & Stáb )

Öntvény

Legénység

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek