Name: Don Giovanni
Start: 1991-08-01T00:00:00.000Z
End: 1991-08-01T00:00:00.000Z
Location: Kammeroper

Organization

Singer

Baritone

Thomas Allen

Don Giovanni

Soprano

Carolyn James

Donna Anna

Carol Vaness

Donna Elvira

Bass

Ferruccio Furlanetto

Leporello

Tenor

Kjell Magnus Sandve

Don Ottavio

Andrea Rost

Zerlina

Reinhard Dorn

Masetto

Matthias Hölle

Commendatore

Conductor

James Conlon

Set designer

Michael Hampe

Stage director

Costume designer

Carlo Diappi

Oper Köln

Others

CHORUS OF THE COLOGNE OPERA

Orchestra

Gürzenich - Orchester Köln

Taljan

Cologne

Germany

Kammeroper

Mozart - Don Giovanni, Act I (with Thomas Allen & Carolyn James)

Mozart - Don Giovanni, Act II (with Thomas Allen & Carolyn James)

Don Giovanni Mozart

Public

Ingliż

Ġappuniż

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart's "Don Giovanni", "the opera of all operas", as E.T.A. Hoffmann once called it, is a work with many meanings. The inexhaustible array of interpretative possibilities represent a challenge to anyone who approaches this monumental work. Michael Hampe, who staged this new production at the Cologne Opera, concentrated his interpretations on two main points of emphasis. On the one hand, Don Giovanni appears "as the embodiment of absolute, irresistible, tempestuous life force, whom no borders can hold and who only finds his end in the metaphysical power of death", and on the other hand, "as a rebel against human order, against law and mortality, as the archetype of the social outside". To realize this ambitious project, Hampe was able to draw on a cast of first-rate soloists available anywhere. Thomas Allen is consiedered one of the most prominent Don Giovannis of our time. His fellow-artists are all on the same high musical and theatrical level: Ferruccio Furlanetto as Leporello, Matthias Hölle as the Commendatore and Reinhard Dorn as Masetto. The American soprano, Carol Vaness, the Donna Anna, is also on of the top Mozart interpreters of our time. James Conlon, on the podium of Cologne's Gürzenich Orchestra provides the proper musical inspiration for this intriguing performance.

English

Don Giovanni by Mozart, Ħam 01 Aww 1991, Minn (1991/1991), Immexxi minn Michael Hampe,, Surmast Direttur James Conlon, Kammeroper, Cologne, Germany

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Kast

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Ensemble

Programm, Dwar & Sinossi

Ritratti

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