Name: Don Giovanni
Start: 2021-11-06T00:00:00.000Z
End: 2022-03-13T00:00:00.000Z
Location: Teatr WOK

Organization

Chanteur

Baryton

Łukasz Klimczak

Don Giovanni

Artur Janda

Basse

Remigiusz Łukomski

Le Commandeur

Grzegorz Szostak

Soprano

Maria Domżał

Donna Anna

Gabriela Legun

Ténor

Aleksander Kunach

Don Ottavio

Jarosław Bielecki

Karina Skrzeszewska

Donna Elvira

Natalia Rubis

Dawid Biwo

Leporello

Adam Zaremba

Paulina Janczaruk

Zerlina

Aleksandra Borkiewicz

Mise en scène

Michal Znaniecki

Direction d'orchestre

Tadeusz Kozłowski

Lumières

Dawid Karolak

Costumes

Décors

Rafal Olbinski

Luigi Scoglio

Chorégraphie

Inga Pilchowska

Direction de choeur

Krzysztof Kusiel-Moroz

Harpsichord

Ewa Mrowca

Assistant Conductor

Kuba Wnuk

Assistant Stage Director

Jolanta Denejko

Piotr Pieron

Masetto

Sebastian Marszałowicz

Piano

Aleksander Teliga

Nataliia Gaponenko

Warszawska Opera Kameralna

Orchestra

Musicae Antiquae Collegium Varsoviense

Others

Vocal Ensemble of the Warsaw Chamber Opera

italien

Varsovie

Pologne

Teatr WOK

Public

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contre-ténor

Contralto

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

One of the most important events of 2021 awaits music lovers - the opera "Don Giovanni" in a new staging by Michał Znaniecki. Whenever this masterpiece of Wolfgang Amadeus Mozart appears in a new version on the opera poster, it attracts the attention of the entire musical world.

Has any of Wolfgang Amadeus Mozart's opera premieres been crowned with such great reviews as after the staging of the opera "Don Giovanni"? What makes it arouse the imagination of musicologists to this day, as an opera that was far ahead of its time?

He came to Prague, where the Salzburg Master was to give the world an opera telling the story of the greatest of seducers, he came on a wave of excellent reviews after "The Marriage of Figaro", but the way in which the people of Prague received "Don Giovanni" exceeded all expectations. Vienna, full of malcontents, often waiting for Mozart to stumble, this time had to do without reviews that flowed in abundance from Prague.

In the 91st edition in 1787, the Wiener Zeitung wrote about the great success of the work, staged by an Italian troupe operating in Prague under the direction of tenor and manager Domenico Guardasoni. Mozart himself, built with great success, wrote to his friend, Gottfried von Jacquin:  On October 29, my opera hit the stage with an indescribable success. I hope to have it staged in Vienna, although they want me to write another opera for them here, but despite the tempting offer, I must refuse.

Undoubtedly, the final success of the work was also determined by its purely literary side. The author of the libretto, Lorenzo Da Ponte, referring directly to Molière's work, created a masterpiece confirming the right opinion of the most outstanding librettist of his time. It is significant that the opera, regarded today as an absolute masterpiece and included among the greatest achievements of the human mind, effectively divided the critics of the May premiere in Vienna (May 7, 1788). Some interpreted it as  an opera buffa  nomen omen in accordance with the intentions of Mozart himself, the thing is that both the theme of the drama itself and the way it presents the plot and characters inscribed it in the much more serious genre of  dramma giocosa. And it was the way in which the opera was interpreted that determined the polemic. It was cut by Joseph Haydn himself, as Johann Schink writes in  Dramutrgiche Monate  1790, recognizing all discussions as pointless in the face of the genius of the greatest composer of all time, which is Wolfgang Amadeus Mozart. Nomen omen, the same influential Viennese critic (Schink) although he does not leave a dry thread on the libretto, praises Mozart's music to the skies.

Chronik v. Berlin went further in this assessment, already at that time describing "Don Giovanni" as the most outstanding operatic work ever heard by man, largely ahead of its time. To what extent, Johann Wolfgang Goethe's letter to Friedrich Schiller of December 1797 is best evidenced, in which the poet emphasizes the uniqueness of the work with its certain artistic hermeticity, which, due to its artistry, is reserved for a few.

Carl Spazier, one of the most influential critics of the Mozart era, (published in  Musikalisches Wochenblatt ) went the farthest when he wrote that one aria from "Don Giovanni" is more than all the works of Giovanni Paisiello.

The artistry mentioned by Goethe, which differs from the desire to flatter cheap tastes, did not prevent the work's success, measured by stagings. According to Otto Jahn, Mozart's biographer, in Vienna 531 times were performed until 1863, in Prague - 476, and in Berlin for half a century, "Don Giovanni" was performed over 200 times.

In Poland, Mozart's masterpiece was performed as early as 1789 in Warsaw. 231 years after this premiere, the Warsaw Chamber Opera is honored to present the second artistic vision of this work, hosted on our stage. How we read the story of the all-time lover today, two and a half centuries after the Prague premiere, you will soon find out!

English

Don Giovanni by Mozart, sam. 12 mars 2022, Du (2021/2022), Dirigé par Michal Znaniecki,, Chef d'orchestre Tadeusz Kozłowski, Teatr WOK, Varsovie, Pologne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles