Name: Don Giovanni
Start: 2007-09-08T00:00:00.000Z
End: 2008-04-06T00:00:00.000Z
Location: Stadttheater

Organization

Cantante

Baritono

Matthias Ludwig

Don Giovanni

Soprano

Petra van der Mieden

Donna Anna

Tenore

John Carlo Pierce

Don Ottavio

Basso

Christoph Stegemann

Il Commendatore

Henrietta Hugenholtz

Donna Elvira

Johannes Schwärsky

Leporello

Tomi Wendt

Masetto

Alfia Kamalova

Zerlina

Direzione d'orchestra

Carlos Spierer

Regia

Helmut Polixa

Costumi

Stefan Rieckhoff

Scenografia

Direzione del coro

Jan Hoffmann

Stadttheater Giessen

Orchestra

Philharmonisches Orchester Gießen

Others

Choir of the Gießen City Theater

italiano

Giessen

Germania

Stadttheater

Oberes Foyer

Public

tedesco

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Basso-baritono

Controtenore

Mezzosoprano

Alto

Mimi

Narrazione

Voce bianca

Don Giovanni is said to have seduced and left 2065 women, according to the register that his servant Leporello keeps meticulously about his master's art of love. The time is therefore more than ripe to present the insatiable with the receipt. Wolfgang Amadeus Mozart does this for all dishonored women in this world, because in his DON GIOVANNI the eponymous hero bites his teeth out of the fair femininity - and that means the beginning of the end of the most famous womanizer of all times ...
With murder and vows of revenge on the one hand and nocturnal clothes swapping and irrepressible gluttony on the other, Mozart skilfully blends tragic and comic moments. It is precisely this mixture that creates the special fascination that makes DON GIOVANNI - despite his 220 years - an absolute highlight of the operatic repertoire.

“With a subtle hand, Helmut Polixa awakens memories of the tradition of the masterpiece rooted in the popular impromptu comedy Commedia dell'arte and emphasizes both the comic and the tragic. Above all, however, he focuses on Mozart's wonderful music.”    Giessener Anzeiger

English

2065 Frauen soll Don Giovanni verführt und verlassen haben, so besagt es das Register, das sein Diener Leporello peinlichst genau über die Liebeskünste seines Herrn führt. Die Zeit ist also mehr als reif, dem Unersättlichen dafür die Quittung zu präsentieren. Für alle entehrten Frauen dieser Welt tut dies Wolfgang Amadeus Mozart, denn in seinem DON GIOVANNI beißt sich der Titelheld die Zähne an der holden Weiblichkeit aus  und das bedeutet den Anfang vom Ende des berühmtesten Frauenhelden aller Zeiten 
Mit Mord und Racheschwüren einerseits und nächtlichem Kleidertausch und unbändiger Fresslust andererseits lässt Mozart tragische und komische Momente geschickt ineinander fließen. Gerade durch diese Mischung entsteht die besondere Faszination, die DON GIOVANNI  trotz seiner 220 Jahre  zu einem absoluten Highlight des Opernrepertoires macht.

Mit dezenter Hand weckt Helmut Polixa Erinnerungen an die in der volkstümlichen Stegreifkomödie Commedia dell´arte wurzelnde Tradition des Meisterwerks und betont sowohl das Komische als auch das Tragische. Vor allem aber stellt er Mozarts wunderbare Musik in den Mittelpunkt.   Gießener Anzeiger

Deutsch

Don Giovanni by Mozart, Da (2007/2008), Diretto da Helmut Polixa,, Direttore d'orchestra Carlos Spierer, Stadttheater, Giessen, Germania

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