Name: Don Giovanni
Start: 2018-03-09T00:00:00.000Z
End: 2018-06-29T00:00:00.000Z
Location: Slovak National Theatre New Building

Admin

Organization

Stage director

Jozef Bednárik

Set designer

Vladimír Čáp

Costume designer

Ludmila Várossová

Choreographer

Jaroslav Moravčík

Chorus master

Ladislav Kaprinay

Conductor

Dušan Štefánek

Baritone

Aleš Jenis

Don Giovanni

Soprano

Ľubica Vargicová

Donna Anna

Singer

Ján Galla

comment

Adriana Kohútková

Donna Elvira

Bass

Peter Kellner

Leporello

Martin Mikuš

Masetto

Andrea Vizvári

Zerlina

Ondrej Olos

Pavol Remenár

Jana Šrejma Kačírková

Tenor

Martin Gyimesi

Don Ottavio

Jozef Benci

Peter Mikuláš

Jana Jurícková

Miloslav Krajčík

Butler

Slovak National Theatre

italština

Bratislava

Slovakia

Slovak National Theatre New Building

Don Giovanni Mozart

Public

slovenština

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Opera opera. This is how experts tend to call this work Mozart's mature genius from the last years of the master's life. What is its uniqueness? After all, the story itself - a relatively simple story of a fornicator persecuted by the victims of his passions - does not a priori presuppose the creation of an opera that should be written in history of this kind in golden letters!

If we are extremely interested in Don Giovanni , it is above all for the perfect connection of the musical language with the needs and challenges that the depicted story posed to the composer. Although Mozart does not deviate in any way from the classicist compositional style, although he does not in any way disrupt the strict stylistic "rule", he nevertheless gives the work a clear mark of originality, using all positions of musical language as a means of drawing characters and relationships. The author seems to consistently project musical material onto another medium - the surface of the subject - and every singing decoration, every harmony of voices in the ensembles, every change of tempo (and so on and so forth ...) justifies, fulfills, lets "soak" the dramatic meaning. And so, although we are used to interpreting the history of opera in their chronological sequence, Don Giovanni(as, after all, all the phenomenal works of art) seem to get out of time and space - and with a fascinating connection of music with non-musical meanings, it boldly competes with the best musical dramas of all periods and provenances!

English

Don Giovanni by Mozart, st 20 čvn 2018, Od (2018/2018), Režie Jozef Bednárik,, Dirigent Dušan Štefánek, Ondrej Olos, Slovak National Theatre New Building, Bratislava, Slovakia

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény