Admin

Komische Oper Berlin

Scenografia

Regia (+2)

Kirill Serebrennikov

Costumi

Soprano (+1)

Adela Zaharia

Donna Anna

Tenore (+1)

Agustín Gómez

Don Ottavio

Basso (+3)

Tijl Faveyts

Il Commendatore

Soprano (+4)

Bruno de Sá

Donna Elvira

Baritono (+4)

Tommaso Barea

Leporello

Basso (+6)

Philipp Meierhöfer

Masetto

Schiller Theater

Cantante (+1)

Nikita Elenev

Zauberer/Geist

Baritono

Mikhail Poliakov

Assistente scenografo

Olga Pavlyuk

Coreografia

Coreografia (+1)

Evgeny Kulagin

Drammaturgo

Drammaturgo (+1)

Sophie Jira

Luci

Luci (+1)

Olaf Freese

Video

Ilya Shagalov

Hubert Zapiór

Don Giovanni

Soprano (+2)

Penny Sofroniadou

Zerlina

Direttore d'orchestra

Direttore d'orchestra (+2)

James Gaffigan

Regia

Direzione del coro

David Cavelius

Mezzosoprano (+1)

Georgy Kudrenko

Attore (+1)

Susanne Bredehöft

Krankenschwester/Geist

Orchestra

Orchester der Komischen Oper Berlin

Chorus

Chor der Komischen Oper Berlin

Soprano

Mezzosoprano (+3)

Virginie Verrez

Contralto

Tenore

Basso

The »opera of all operas«, directed by Kirill Serebrennikov at the Schiller Theatre! After the tale of love and loss in Così fan tutte and the social disparities between servants and masters in The Marriage of Figaro, Serebrennikov now completes Mozart’s Da Ponte trilogy with arguably the most dangerous of the three operas . . .

A gentleman who’s a playboy, a servant who’s tired of serving, and a long list of cheated women: Don Giovanni takes what he wants and knows how to throw a magnificent party. The servant Leporello grumbles under his master’s seductive exploits, as he’s the one who has to clean up afterward, comforting and even enlightening the duped. But when Don Giovanni kills the Commendatore in a duel over the honour of his daughter Donna Anna, even Leporello has had enough. But his master is already onto his next victim: Zerlina. It is only his former lover Elvira who refuses to countenance his betrayal and tries to warn the other women about the philanderer—of course in vain. Seducing and deceiving, Don Giovanni simply enjoys gambling with his life, until the ghosts of the past come to haunt him . . .

With Don Giovanni, Mozart and Da Ponte successfully created a masterwork of the operatic canon. In this dramma giocoso or ‘lighthearted drama’, they achieved—through Mozart’s sophisticated psychological composition, spellbinding melodies, and brilliant instrumentation—an extraordinary study of human nature that, in Kirill Serebrennikov’s fearless hands, brings up compelling questions about sex, the power of seduction, the pursuit of individual freedom, and the right to defy societal norms.

Don Giovanni/Requiem

Berlino

Germania

Großer Saal

Don Giovanni Mozart

Opera

Requiem

Rahul Solomon

italiano

Die »Oper aller Opern«, inszeniert von Kirill Serebrennikov im Schillertheater! Nach der Geschichte um Liebe und Verlust in »Così fan tutte« und der sozialen Gefälle zwischen Dienern und Herren in »Le nozze di Figaro« vollendet Serebrennikov die Mozart-Da-Ponte- Trilogie mit der wohl gefährlichsten der drei Opern …

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