Name: Ein deutsches Requiem, op. 45
Start: 2022-11-04T00:00:00.000Z
End: 2022-11-04T00:00:00.000Z
Location: Müpa Budapest

Organization

Conductor

György Vashegyi

Singer

Soprano

Katalin Szutrély

Baritone

Nikolay Borchev

Others

Purcell Choir

Müpa Budapest

Ein deutsches Requiem, op. 45 -  (A German Requiem)

Budapest

Hungary

Ein deutsches Requiem Brahms

Public

A German Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Bass

Mezzo-soprano

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Brahms's German Requiem is different from other requiems. First, it more closely resembles an oratorio, as it does not make use of the text for a mass, and second, it is in German rather than Latin. And although the composer compiled the libretto from Luther's German Bible as well as from apocryphal texts, the atheism espoused by the free-thinking Brahms was practically public knowledge. "Such a great man! Such a great soul! And he believes in nothing!” his friend Antonín Dvořák once declared regretfully. Nevertheless, grief and tragedy often make believers out of unbelievers: the first sketches of the German Requiem were made in 1856, coinciding with the death of Robert Schumann, and after a long hiatus, Brahms returned to the composition in 1865, after losing his mother. Progress was a slow process, but the end result brought the composer world fame. The archaicising Begräbnisgesang (Funeral Song), composed for choir and wind instruments in 1858, is often regarded as a forerunner of the German Requiem. Analysts say this work also commemorates Schumann's death, like the Piano Concerto in D minor, and the text from Michael Weisse's songbook evokes the image of a funeral.
Joining the Concerto Budapest orchestra this time will be the Purcell Choir and soloists Katalin Szutrély and Nikolay Borchev, best known for their early music productions, and György Vashegyi, a highly influential conductor of early music in Hungary, thus guaranteeing that we will be able to get to know this esteemed Romantic oratorio from a new perspective.

English

A German Requiem by Brahms, hAo 04 Samh 2022, Ó (2022/2022), Seoltóir György Vashegyi, Müpa Budapest, Budapest, Hungary

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid