Organization

Gstaad Menuhin Festival

Dirigat

Daniel Reuss

Klavier

Simon Savoy

Pierre-Fabien Roubaty

Sopran

Rachel Harnisch

Bariton

Thomas Bauer

Others

Ensemble Vocal de Lausanne

Ein deutsches Requiem – Brahms in the Alps: The Complete Thun Compositions II

Gstaad

Schweiz

Ein deutsches Requiem – Brahms in the Alps: The Complete Thun Compositions II: Concert Various

Public

Konzert

Genehmigt

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Regie

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-Bariton

Singer

Tenor

Mezzosopran

Countertenor

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Brahms’ “German Requiem” holds a special place in the hearts of many Germans because it focuses on origins and heritage. Very different from the Catholic Mass for the Dead (from which Brahms took the title), he emphasized the humble and reassuring convictions of Luther’s disciples – followers from Northern Germany who preferred to console the living instead of praying for the dead. It is said that Brahms wanted to replace the word “German” with the word “Human” in the title, which definitely would have made the composition difficult to classify! This concert offers a more intimate version of the work with two pianos and the Ensemble Vocal de Lausanne, one of the best in Switzerland, founded more than half a century ago by Michel Corboz and led by Daniel Reuss since 2015. The concert opens with two compositions that Brahms wrote during his stay on the shores of Lake Thun during the summers of 1887 and 1888.

English

Ein deutsches Requiem – Brahms in the Alps: The Complete Thun Compositions II by Various, Ab (2018/2018), Dirigat Daniel Reuss

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte