Organization

Singer

Anastasia Lebedyuk

Diana

Olesya Titenko

Vera Azikova

Aura

Olga Butenko

Denis Boldov

Erostrato

Mikhail Gushchenko

Ekaterina Kovaleva

Pokris

Julia Makariants

Maria Chudovskaya

Anastasia Yaldina

Petr Sizov

Cephalo

Ruslan Yudin

Andrey Pankratov

Rustico

Lyudmila Burova

Floreta

Tatiana Khanenko

Олег БАНКОВСКИЙ

Clarin

Mikhail Bogdanov

Liudmila Vereskova

Megera

Maria Smirnova

Alisa Rayskaya

Alecto

Elena Chesnokova

Margarita Kondrakhina

Tesifona

Viacheslav Leontiev

Hunter

Sergey Petrishchev

Stage director

Georgy Isaakyan

Conductor

Andrew Lawrence-King

Lighting designer

Evgeny Ganzburg

Repetiteur

Alexander Grigorevsky

Video designer

Maria Stepanova

Choreographer

Yulia Belova

Chorus master

Vera Davydova

Pianist

Tatiana Vasnetsova

Natalya Dobroradova

Anastasia Zimina

Darya Smirnova

Tatyana Petrenko

Vladimir Beluntsov

Natalia Sats Moscow Children's Musical Theatre

El amor mata

Moscow

Russia

Small stage

El amor mata Polanco

Public

Approved

a few hours before the premiere of the play "Love Kills" based on the opera by Juan Hidalgo de Polanco. In collaboration with one of the best authentic musicians in Europe, baroque harpist Andrew Lawrence-King. Flamenco star Juan Aguirre takes part in the performance. Stage director, production designer, costume designer - Georgy ISAAKYAN

Touching this work is akin to the discovery of Atlantis. For more than three hundred and fifty years, an unusual, phenomenal phenomenon called the “baroque zarzuela” has been hiding in the depths of European opera culture. Today we know the zarzuela as a naive and light folk genre of "song theater with dialogues", a kind of Spanish version of the Parisian and Viennese operetta. But the genre of zarzuela, which arose in the 17th century at the court of the Spanish kings, is an art of a completely different, highest kind. Undoubtedly based on the discoveries of the Italian creators of "drama per musica", the experiences of the composers Emilio de Cavalieri, Jacopo Peri and Claudio Monteverdi, the Spanish zarzuela opera is to the same extent a child of the great Spanish baroque theater, the theater of Lope de Vega, Miguel de Cervantes, Lope de Rueda, and, of course, Pedro Calderón de la Barca himself. Having absorbed the rhythm and energy of Spanish dance music and the sublimity of Catholic chants, based on ancient myths in the refraction of the Spanish consciousness of “duty and honor”, ​​the baroque zarzuela is so unlike the baroque operas of G.F. Handel and V. Vivaldi, is full of such power and magic that one can only regret that its development was interrupted so early and so suddenly - along with the tradition of the entire great Spanish theater.

Today, like archaeologists carefully clearing ancient sculptures, we have the good fortune to restore and re-see and hear this unique work.

For several years now, the theater has been cooperating with one of the best authentic musicians in Europe, baroque harpist Andrew Lawrence-King. It was with him that the theater created one of its most famous performances based on the first opera in the history of mankind, “The Game of Soul and Body” by Emilio de Cavalieri. This performance won the recognition of the audience, colleagues, and received the Golden Mask National Theater Award from the hands of the outstanding conductor Eri Klas. It is thanks to the enthusiasm and encyclopedic knowledge of Andrew Laurence King that the Natalia Sats Children's Musical Theater is turning to the opera Love Kills today.

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