Name: El Barberillo de Lavapiés
Start: 2019-03-28T00:00:00.000Z
End: 2019-04-14T00:00:00.000Z
Location: Teatro de la Zarzuela

Admin

Organization

Baryton

Borja Quiza

Lamparilla

David Oller

Mezzosopran

Cristina Faus

La Paloma

Ana Cristina Marco

Sopran

Maria Miró

Marquesita

Cristina Toledo

Tenor

Javier Tomé

Don Luis de Haro

David Sánchez

Don Juan de Peralta

Dyrygent

José Miguel Pérez-Sierra

Reżyseria

Alfredo Sanzol

Scenografia

Alejandro Andújar

Reżyseria światła

Pedro Yagüe

Choreografia

Antonio Ruz

Przygotowanie chóru

Antonio Fauró

Śpiewak

Marquesita del Bierzo

Francisco Corujo

Teatro Lírico Nacional de la Zarzuela

Others

Coro del Teatro de La Zarzuela

Orchestra

Orquesta de la Comunidad de Madrid

El Barberillo de Lavapiés

Madryt

Hiszpania

Teatro de la Zarzuela

𝗘𝗹 𝗯𝗮𝗿𝗯𝗲𝗿𝗶𝗹𝗹𝗼 𝗱𝗲 𝗟𝗮𝘃𝗮𝗽𝗶é𝘀 Broadcast live from the Teatro de la Zarzuela on April 12, 2019. Music by FRANCISCO ASENJO BARBIERI Libreto by Luis Mariano de Larra, in an adaptation by Alfredo Sanzol New production by the Teatro de la Zarzuela 𝗣𝗥𝗜𝗠𝗘𝗥 𝗔𝗖𝗧𝗢 Prelude 07:40
General chorus: "They say that in El Pardo, Mother", 09:21
Lamparilla entrance: "Health, money and acorns", 11:53
Paloma's entry: "How I was born on Paloma Street", 16:40
Terceto de la Marquesita, Don Luis and Don Juan: "This is the place, in front of the sale!", 22:21
Terceto of La Marquesita, la Paloma and Lamparilla: "Lamp! / Server!",29:02
Jota de Los Estudiantes and End of Act One: "Already the students, Mother, have come from Alcalá",37:24

𝗦𝗘𝗚𝗨𝗡𝗗𝗢 𝗔𝗖𝗧𝗢 Scene: "Here is the round to protect",1:03:29
Lamparilla's story: "A thousand thanks, neighbors",1:07:00
Duo of La Marquesita and Don Luis: "In a manor house",1:11:42
Duo of Paloma and Lamparilla: "A woman who wants to see a barber",1:17:25
Seguidillas Manchegas: "Cupido lives in the temple of Mars",1:29:56
End of the Act: "The door of this house open wide!",1:32:36

𝗧𝗘𝗥𝗖𝗘𝗥 𝗔𝗖𝗧𝗢 Introduction and couplets of the seamstresses: "The noble guild of seamstresses",1:36:00
Musical intermission,1:42:47
Duo of Paloma and La Marquesita: "Here I am already dressed as is the case", 1:45:15
Quartet of La Marquesita, Paloma, Don Luis and Lamparilla: "The hat up to the eyebrows", 1:53:20
Caleseras de Lavapiés (quartet): "In entering a maja", 1:54:42
Choir of guards and seamstresses: "Here are the ones we are looking for", 1:56:06
Caleseras de Lavapiés (all): "In entering a pestle", 2:00:18

2nd seamstress: Mar Roldán Majo 2nd: José Luis Sendarrubias 2nd student: Víctor Sainz Community of Madrid Orchestra, head of the Teatro de la Zarzuela. Titular Choir of the Teatro de la Zarzuela. Director: Antonio Fauró Rondalla Lírica de Madrid «Manuel Gil». Director: Enrique García Requena - Welcome to the La Zarzuela party and welcome to one of its emblematic titles. The barberillo of Lavapiés contains the musical force of an era, in some way it is a perfect synthesis of classic and popular forms to which Barbieri adds the genius of his creativity. Larra and Barbieri loved life and it shows in each of the notes of this performance and in each of the words, so the artistic team of this production has tried to follow the current and the influence that we have been fortunate to inherit. . El barberillo is a love story between Paloma and Lamparilla that is not consummated until the end of the work due to political-conspiratorial obligations that must be attended first to save Spain. The comic and adventurous tone of the show is what we have promoted without ever forgetting that both are linked to the search for beauty. And on this matter I would like to emphasize. I have always understood comedy and adventure as a great aesthetic experience through which I have wanted to synthesize my experience in life. The depth of life and its difficult conflicts require the vision of comedy to find liberating solutions. El barberillo hovers over political and social reality thanks to the ability of his characters to surf difficulties. The music and the plot of El barberillo make our neurons find unexpected and brilliant connections, that is why I would like to invite you to enjoy this function as if it had been written yesterday because that is what we have all felt when doing it. I want to thank everyone. To all the cast that I admire so much. To all the artistic team with whom I have made this staging. To the musical direction of maestro Pérez-Sierra who makes oxygen run better through our blood, and to Daniel Bianco for having invited me to the Casa de la Zarzuela Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information: That is why I would like to invite you to enjoy this function as if it had been written yesterday because that is what we have all felt when doing it. I want to thank everyone. To all the cast that I admire so much. To all the artistic team with whom I have made this staging. To the musical direction of maestro Pérez-Sierra who makes oxygen run better through our blood, and to Daniel Bianco for having invited me to the Casa de la Zarzuela Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information: That is why I would like to invite you to enjoy this function as if it had been written yesterday because that is what we have all felt when doing it. I want to thank everyone. To all the cast that I admire so much. To all the artistic team with whom I have made this staging. To the musical direction of maestro Pérez-Sierra who makes oxygen run better through our blood, and to Daniel Bianco for having invited me to the Casa de la Zarzuela Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information: and to Daniel Bianco for having invited me to the Casa de la Zarzuela. Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information: and to Daniel Bianco for having invited me to the Casa de la Zarzuela. Thank you all very much! - 𝘼𝙡𝙛𝙧𝙚𝙙𝙤 𝙎𝙖𝙣𝙯𝙤𝙡 More information:http://teatrodelazarzuela.mcu.es/es/t...

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00:00 The barberillo of Lavapiés
07:40 Act one
01:03:28 Act two
01:35:18 Act three

El Barberillo de Lavapiés Barbieri

Public

Approved

One of the most entertaining and cheerful works in the lyric repertoire is back at the House of the Zarzuela. El barberillo de Lavapiés has kept its place on our stages right up until now as an emblem of Spanish lyric works. In fact professor of musicology Emilio Casares reminds us that “to speak of El barberillo is to speak of the acme of our musical history, the paradigm of what has been considered to be Hispanic lyric theatre and madrileñismo”, of “Madridness”.
The authors mix a popular plot, dealing with Lamparilla and Paloma’s love affair, with the sentimental dalliances of two aristocrats, the little Marchioness Estrella and Don Luis; and all of this with a political backdrop: the forced transition of government from Grimaldi to Floridablanca. This thematic model had already been used by Barbieri in Jugar con fuego, Los diamantes de la corona and Pan y toros, but with Larra’s text —written in verse— it fills up with adventures, intrigues, politics, love and humour, and it works so well that it could have been written in the present day.
Characters and stories will accelerate the pitch of our lives, of our emotions, in such a way that they will make the ideas slip through our minds with such lively ease, that there’s no doubt we will leave the theatre brimming over with cheer, drenched in this “old-time” intrigue which is as current today as it was on the first day it was performed. And —as Sanzol writes— let’s mix together “health, wealth and acorns, humour, beauty and freedom” and enjoy this fiesta that La Zarzuela is putting on 145 years after its première…

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